A Quote by David Hasselhoff

I love musical theater. That's what I started off to do when I was 7, and my first show was 'Peter Pan.' — © David Hasselhoff
I love musical theater. That's what I started off to do when I was 7, and my first show was 'Peter Pan.'
I heard my name associated with the Peter Pan syndrome more than once. But really, what's so wrong with Peter Pan? Peter Pan flies. He is a metaphor for dreams and faith.
I came from the musical stage. My first show was '110 In The Shade.' I started as a ballet dancer and then sort of gravitated toward musical theater, so any time I got asked to sing or dance, it was a joy for me.
My first acquaintance with 'Peter Pan' was back when I lived in South London. I was at art school, and I needed to earn money, so I got a job as a stagehand at the Wimbledon Theatre, and 'Peter Pan' was on tour there with Donald Sinden, who was playing Captain Hook.
[Peter Pan] has never broken his terrible habit of eavesdropping. So, maybe that wasn't the rustle of pages you heard while this story lasted, but Peter Pan himself, listening in. In exchanged for a story of yours, he might show you his most prized possession: James Hooks' map of Neverland. In exchange for a smile, he may show you Neverland itself.
I started off in musical theater, yeah. It was one of my first jobs; it was in Spring Awakening in London, which was amazing.
Up until I started on YouTube, my first love was musical theater.
All over the walls of my room are pictures of Peter Pan. I've read everything that Barrie wrote. I totally identify with Peter Pan, the lost boy from Never Neverland.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
Theater in Chicago will always be my first love. It started careers for me and about 50 of my friends. We all love coming back. As soon as the TV show is over, I'll be back in Chicago, doing live theater.
Peter Pan is perhaps the most important thing, to me, that I have ever done in theater.
When I was about six or seven, I did this character reenactment performance where I read a monologue from 'Peter Pan.' I got into a complete Peter Pan outfit and did a little paragraph from the script - and I ended up winning an award for it.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
When I wrote 'The Shadow Thief,' I had an obsession with Peter Pan. I get focused on things. In fact, I was an absolute horror to live with at that stage. I had a big fight with my mum because I wanted her to change the windows so Peter Pan could visit me.
When I first started acting, I started in opera and had a great desire to play grand, tragic characters. I got sidetracked in musical theater and ended up doing a lot of comedy.
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