A Quote by David Hasselhoff
I find it a bit sad that there is no photo of me hanging on the walls in the Berlin Museum at Checkpoint Charlie.
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It is advertising that enthrones the customer as king. This infuriates the socialist...[it is] the crossing of the boundary between West Berlin and East Berlin. It is Checkpoint Charlie, or rather Checkpoint Douglas, the transition from the world of choice and freedom to the world of drab, standard uniformity.
One day when I was fourteen, I told Charlie that I hated Mother. “Don’t hate her, Jo,” he told me. “Feel sorry for her. She’s not near as smart as you. She wasn’t born with your compass, so she wanders around, bumping into all sorts of walls. That’s sad.” I understood what he meant, and it made me see Mother differently. But wasn’t there some sort of rule that said parents had to be smarter than their kids? It didn’t seem fair.
The photo shoot I always feel a bit embarrassed about because I don't really know what to do with myself, but they usually don't use a bad photo, so you can't worry too much. So my main concern is that I just look a bit more like myself.
The line I trace with my feet walking to the museum is more important and more beautiful than the lines I find there hung up on the walls.
On Mallrats, a lot of times they'd have to come find me. I'd be off hanging around. Looking around the stores, hanging out with people. So, he'd have to come find me.
There's something about his eyes in the photo. A kind of mystery. His personality comes through. It's always hung on my walls and I've given it to many people as a present. (On his iconic photo of Che Guevara)
perhaps I possess a certain Midwestern sensibility that I inherited from my mother and her parents, a sensibility that Warren Buffet seems to share: that at a certain point one has enough, that you can derive as much pleasure from a Picasso hanging in a museum as from one that's hanging in your den, that you can get an awfully good meal in a restaurant for less than twenty dollars, and that once your drapes cost more than the average American's yearly salary, then you can afford to pay a bit more in taxes.
I think London is a bit sad, and I find it a bit overwhelming. There's a lot of quite unhappy people, and it's very goal-driven.
I’m not sad, but the boys who are looking for sad girls always find me. I’m not a girl anymore and I’m not sad anymore. You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say ‘Wow, isn't he so terribly brave to love a girl who is so obviously sad?’ You think I’ll be the dark sky so you can be the star? I’ll swallow you whole.
I've had an amazing life, but I think I was born with a little bit of sadness in me. I've always been attracted to those things, whether it's sad movies, sad music... when you're sad, you feel everything in a greater way than you do when you're happy.
The alliance with air Berlin is attractive for me. I can use the whole sales network of the air Berlin and 24 percent of my own airline at air Berlin sold.
You have two options when you approach a hostile checkpoint in a war zone, and each is a gamble. The first is to stop and identify yourself as a journalist and hope that you are respected as a neutral observer. The second is to blow past the checkpoint and hope the soldiers guarding it don't open fire on you.
My first visit to West Berlin was in February 1983. The drive through East Berlin, the fact that West Berlin was surrounded by a wall that was more than 100 miles long - the absurdity and intensity of it really knocked me out.
I realized that it's all really one, that John Lennon was correct. We utilize the music to bring down the walls of Berlin, to bring up the force of compassion and forgiveness and kindness between Palestines, Hebrews. Bring down the walls here in San Diego, Tijuana, Cuba.
I find everything in life a little bit sad, but I also find a great deal of hope everywhere I look.
The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.
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