A Quote by David Haye

It's the warm-up in the changing room when I switch on. I don't even think about the fight until then. Some fighters are bouncing about the walls, but I switch off. Then it's like someone flicks a switch in me.
I turn a switch on to socialise on the red carpet, and then switch it off once I'm done.
When I was playing Dracula I had to switch off from the reality and fall into this fantasy world. Otherwise I just couldn't cope with what I was doing. It's about switching off. It is about trying to flick a switch, which you have to do.
From morning when I wake up until I go to sleep, I am working. I go to bed and I want to switch off, but the brain doesn't switch off.
Abnegation produces deeply serious people. People who automatically see things like need,” he says. “I’ve noticed that when people switch to Dauntless, it creates some of the same types. Erudite who switch to Dauntless tend to turn cruel and brutal. Candor who switch to Dauntless tend to become boisterous, fight-picking adrenaline junkies. And Abnegation who switch to Dauntless become . . . I don’t know, soldiers, I guess. Revolutionaries.
I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room... you stumble around until you find the walls and then inch your way to the light switch.
Nobody ever texts me, because they know what I'm like. I'm a constant frustration to my children because I never switch my mobile phone on. I only use it when I need to make a call or when I'm stuck somewhere or lost, then I switch it off again. I've never texted anyone in my life, and I'm not sure I even know how to.
"Community" came to be seen as a chat-group: you switch on as long as your pleasure lasts, then push another button and switch off. Very easy to go in and out, join and leave.
People do that all the time - they switch teams, switch coaches, switch camps.
Whenever I switch from one character to another, there's always a few days where I really struggle because I'm changing voices and I'm changing ways of looking at the world. I'm not just flicking a switch; it's harder process than that.
I would say that my ability doesn't' have an off switch but instead is more of a volume dial. When going about everyday life I try and switch that noise to becoming background noise, but have taught myself when to turn the volume up, such as in readings.
We have a simple rule for switching. Anytime there is movement over the top of a screen, there has to be an automatic switch. If a blind pick is set on one of our defensive players, there has to be a switch. To play good pressure defense, you have to use the switch.
If you put a large switch in some cave somewhere, and a sign on it saying, "End-of-the-World Switch. PLEASE TO NOT TOUCH," the paint wouldn't even have time to dry.
There is nothing called 'switch on-switch-off' in an actor. We are not machines.
Some humans would do anything to see if it was possible to do it. If you put a large switch in some cave somewhere, with a sign on it saying 'End-of-the-World Switch. PLEASE DO NOT TOUCH,' the paint wouldn't even have time to dry.
You have a Happiness Switch in you that you can switch on at any time. All you have to do is stop switching it off in order to blackmail yourself or others.
My life has been less like a light switch suddenly turning on, and more like a dimmer switch slowly turned up, over time, more in some moments than others.
This site uses cookies to ensure you get the best experience. More info...
Got it!