A Quote by David Henry Hwang
I've never quite understood the idea of a "season." Whenever an artistic director says to me, 'I have this slot,' I always start to feel we're parking cars or something.
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My friends and neighbors were always fixing their cars. Soldiers who felt restless wanted to work on something, and they understood cars. Me, I like to look at cars but I was never really a mechanic.
Whenever somebody says they need an angle for their story I always fear that they've got an idea and they want me to fit into it or they want me to come up with an idea myself or I'm supposed to be more revealing than I've been, and to me it just sounds like something I don't want to do.
I mean, I understand that because they're disadvantaged that they deserve their own parking spots, but do they have to make them so wide? I never understood how these people were allowed to drive cars but they get these really neat chairs with wheels and they're still not happy, so instead of parking their wheelchairs in the designated spots, they upstage us normal people and get the best parking spots with vehicles that are clearly too sophisticated for them to be handling. Still, you should smile at a cripple, because it's the only bit of happiness they'll ever have.
Pray don't talk to me about the weather, Mr. Worthing. Whenever people talk to me about the weather, I always feel quite certain that they mean something else. And that makes me quite nervous.
I basically have two ways I start writing. Either I'll start with something about myself, or something that happened to me that seemed important, or I'll start with some idea I have that doesn't have much to do with me. But one will always lead to the other.
I feel like a lot of bands have done amazing covers, but whenever we start working on it, whenever we try it in rehearsal, it never feels right for me to do the song.
My dad, before he passed away, never understood what I did. What I say is that I'm responsible for translating the director's vision, hopefully turning an idea into something people can connect to and relate to.
Whenever you feel happiness it is always from the inner. Then mind immediately jumps in and takes control and says, 'It is because of me.' When you are in love, it is like death, you feel blissful. Immediately mind comes in and says, 'Okay, this is me, this is because of me.'
Whenever you drop something by fight, it is never dropped. You can drop smoking by fighting, and then you will start doing something else which will become a substitute. You may start chewing gum, it is the same; You may start chewing pan, it is the same, there is no difference. You need something to do with your mouth - smoking, chewing, anything. When your mouth goes on working, you feel at ease because through the mouth tensions are released. So whenever a man feels tense he starts smoking.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
I have never quite understood - and this is no doubt my failing - I never quite understood why you would read fiction to understand the human condition.
Parallel parking is desirable for two reasons: parked cars create a physical barrier and psychological buffer that protects pedestrians on the sidewalk from moving vehicles; and a rich supply of parallel parking can eliminate the need for parking lots, which are extremely destructive of the civic fabric.
Whenever I'm doing anything romantic with an actor, or if there's a director around, I never want anybody's wife to feel threatened by me.
It usually starts with the director and any other creatives who may be involved at the start. It's a collaboration. I bring what I have naturally and, hopefully, what they cast me for, and then we start playing and tweaking until we have what they feel's right. It helps to have some artwork to inspire me, but I don't always get that luxury.
Personally, I have had sometimes moments where I thought my idea behind the idea of a collection - the concept maybe - something that we don't see at the end on the catwalk, I think the way it was, the genesis in my mind, was probably artistic, an artistic approach.
Whenever anybody says what you do isn't good, it's always unflattering and makes me feel uncomfortable. But when the person who's in charge of the United States of America says, 'Not good,' I'm like, 'Oh.' It's a little unflattering.
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