A Quote by David Hepworth

'The Canon' is a film podcast that also has much in common with books podcast 'Backlisted.' Both suggest you can get a lot of pleasure out of things that aren't new. — © David Hepworth
'The Canon' is a film podcast that also has much in common with books podcast 'Backlisted.' Both suggest you can get a lot of pleasure out of things that aren't new.
The 'Backlisted' podcast describes itself as 'giving new life to old books'. In each episode, John Mitchinson and Andy Miller are joined by a guest from the world of books who brings along some overlooked gem to enthuse about.
I started a podcast about 'X-Files' and ended up on it. Then I started a podcast about video games, and I'm in the new 'Mass Effect' game. I have to pick the stuff I love and do a podcast on it.
I pushed against doing a podcast for so long. I'm a very late comer to the podcast game. But you're responsibility as a comedian is to get your viewpoints out into the world, and we have a lot more avenues to do that. So it's a lot more opportunity, but really have to work all the time.
I'm also launching a podcast. Because, I mean, the world desperately needs another podcast, am I right? Not to be a tease, but the format is different from anything else I've seen out there, and the subject matter is hopefully boundless, eye-opening, and a little cathartic.
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
I'm a big podcast guy, I have my own podcast called 'Wide Open.'
In doing my podcast, I do find that I tend to try out bits that I then try on stage later that day. If they work, great, and if they don't, I regret having talked about it on the podcast.
It's funny - the reason I started doing a podcast was because every time I was on someone else's podcast, I would take it over a little bit.
For me personally, I was just worried that transitioning from a podcast, which is a very intimate sort of experience - people tell me they listen to my podcast while they're at the gym or on road trips, so you're in someone's ear - to being on television - that's a lot of space to fill.
Marc Maron's podcast success has nothing to do with my podcast success. If I do a quarter of a million downloads, I can show that to an advertiser as a fact, and that's that.
I downloaded a Ricky Gervais podcast once at the persistent urging of a friend and found it funny but distracting - if I'm online, I'm surfing, which means I'm distracted from the podcast. So it's a form that doesn't really work for me.
The podcast was kind of an afterthought, because I was just excited about being on the radio. Then I found that the podcast listenership is some 20 times what people are listening to on the radio.
As a comedy nerd, I get a lot out of the podcast because I'm genuinely interested in the people I'm talking to.
'Constitutional' is an unashamedly educational podcast from the 'Washington Post.' Sub-titled 'a podcast about the story of America,' it's presented by Lillian Cunningham, who engages scholars to explain the fascinating story of how a nation is designed from scratch.
Both traditional broadcasters and podcasters are betting heavily on the growth of voice-driven technology and so-called smart speakers, the theory being that it is as easy to ask Amazon's Alexa to play you the 'Guardian Books' podcast as it is to get it to play Capital FM.
Podcasting is not really that different from streaming music, which we've done for quite a long time. Having a traditional podcast that people subscribe to - the hype is ahead of the quality. Podcasting is essentially a download, and you run into copyright issues. What you're left with currently is podcast talk radio.
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