A Quote by David Hepworth

The 'Sodajerker' podcast is the work of Liverpool songwriting duo Simon Barber and Brian O'Connor. — © David Hepworth
The 'Sodajerker' podcast is the work of Liverpool songwriting duo Simon Barber and Brian O'Connor.
The Italian duo Dumbo Gets Mad specializes in psychedelics for the sober, bringing experimentation together with detailed pop songwriting.
I downloaded a Ricky Gervais podcast once at the persistent urging of a friend and found it funny but distracting - if I'm online, I'm surfing, which means I'm distracted from the podcast. So it's a form that doesn't really work for me.
In doing my podcast, I do find that I tend to try out bits that I then try on stage later that day. If they work, great, and if they don't, I regret having talked about it on the podcast.
Thus when a barber and a collier fight, The barber beats the luckless collier-white; The dusty collier heaves his ponderous sack, And big with vengeance beats the barber-black. In comes the brick-dust man, with grime o'erspread, And beats the collier and the barber-red: Black, red, and white in various clouds are tost, And in the dust they raise the combatants are lost.
I started a podcast about 'X-Files' and ended up on it. Then I started a podcast about video games, and I'm in the new 'Mass Effect' game. I have to pick the stuff I love and do a podcast on it.
[Donald Trump] is a horrible human being, but he ain't worse than Bull Connor. Fannie Lou loved Bull Connor and beat Bull Connor because she loved him.
There are pop managers, and then there's Simon Cowell, who isn't gay, Jewish or particularly riveting. He's not without interest but he doesn't exactly have the hinterland of, say, Brian Epstein.
Take your ass to the barber shop. Tell the barber that you're sick of looking like an asshole.
Like Connor, Alex protected me -and he was the only person I let close enough to do it. Like Connor, Alex could finish my sentences before I did. But unlike Connor, for whom I had ultimately come too late, I was just in time to take care of Alex.
Whoa," Connor Stoll said. "Back up. Zoom in right there." "What?" Annabeth said nervously. "You see invaders?" "No, right there—Dylan's Candy Bar." Connor grinned at his brother. "Dude, it's open. And everyone is asleep. Are you thinking what I'm thinking?" "Connor!" Katie Gardner scolded. She sounded like her mother, Demeter. "This is serious. You are not going to loot a candy store in the middle of a war!" "Sorry," Connor muttered, but he didn't sound very ashamed.
Roland glares at Connor and Connor glares back. Then he says what he always says at moments like this. "Nice socks." Although Roland doesn't look down right away, it derails him just enough for him to back off. He doesn't check to see if his socks match until he thinks Connor isn't looking. And the moment he does, Connor snickers. Small victories are bet­ter than none.
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
I pushed against doing a podcast for so long. I'm a very late comer to the podcast game. But you're responsibility as a comedian is to get your viewpoints out into the world, and we have a lot more avenues to do that. So it's a lot more opportunity, but really have to work all the time.
When I started work at Simon & Schuster in 1958, each of us got a bronze paperweight on which was written, in raised type, 'Give the reader a break,' Richard E. Simon.
I got racist abuse at Liverpool when I played for Watford. Then I played for Liverpool and didn't get it. If I had played for Everton against Liverpool then maybe the Liverpool fans would have racially abused me.
I'm a big podcast guy, I have my own podcast called 'Wide Open.'
This site uses cookies to ensure you get the best experience. More info...
Got it!