A Quote by David Hepworth
When Shanthi Ranganathan was the featured turn on 'Hip Hop Saved My Life With Romesh Ranganathan,' we learned she didn't allow him to have a girlfriend until he'd finished university, and she learned - to her unfeigned horror - that he used to sneak girls into the house when she was out.
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After my mother died, I learned that she'd had a scholarship to the University of Nebraska, but - in kind of a tradition that females don't do things like that - her father prevented her from going. She always said that she wasn't allowed to go to college, but until she died, I never knew that she'd had this scholarship.
I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe. There she goes, backpack on, headed for the subway or the airport. She did her best with her eyeliner. She learned a new word she wants to try out on you. She is ambling along. She is looking for it.
It did no good to cry, she had learned that early on. She had also learned that every time she tried to make someone aware of something in her life, the situation just got worse. Consequently it was up to her to solve her problems by herself, using whatever methods she deemed necessary.
Afterward, I curl around her. We lie in silence until darkness falls, and then, haltingly, she begins to talk...She speaks without need or even room for response, so I simply hold her and stroke her hair. She talks of the pain, grief, and horror of the past four years; of learning to cope with being the wife of a man so violent and unpredictable his touch made her skin crawl and of thinking, until quite recently, that she'd finally managed to do that. And then, finally, of how my appearance had forced her to realize she hadn't learned to cope at all.
I have a girlfriend. I give my heart to her. She's around, she's everywhere, we travel together. She's beautiful, she's gorgeous, she's everything you want in a woman. She doesn't complain.. but I can tune her out just enough.
Romesh Ranganathan and I come from similar backgrounds and we've both done well for ourselves.
Ultimately I think I learned a lot from my mother - the way she used fashion to make herself feel better; it was a tool she had and she used it very well. Fashion for her wasn't so far as an escape, but certainly a time where she would sit on her own and prepare what she wanted to wear the next day - it turned into bit of a ritual.
My Auntie CeCe - I can kind of joke and say all I need to do is pray. But that's literally what she does... She lives what she sings. I've learned a lot about her in that way, so in bringing her to the stage, I knew what sort of demeanor she needed to have. Her songs are very reflective of who she is in real life.
She was in a terrible marriage and she couldn't talk to anyone. He used to hit her, and in the beginning she told him that if it ever happened again, she would leave him. He swore that it wouldn't and she believed him. But it only got worse after that, like when his dinner was cold, or when she mentioned that she'd visited with one of the neighbors who was walking by with his dog. She just chatted with him, but that night, her husband threw her into a mirror.
She had, without realizing it at the time, learned to follow Nick's gaze, learned to learn his lust...his desires remained memorized within her. She looked at the attractive women he would look at...She had become him: she longed for these women. But she was also herself, and so she despised them. She lusted after them, but she also wanted to beat them up. A rapist. She had become a rapist, driving to work in a car.
In time, she learned to develop her own opinion of the people that she worked for, and she got stronger. Think she's now much stronger. In the beginning she wanted to believe she was strong but sometimes she faltered.
She knew that she belonged to this man, body and soul. Every trace of shame departed; it was burnt out by the fire that consumed her. She gave him a thousand opportunities; she fought to turn his words to serious things. He baffled her with his shallow smile and ready tongue, that twisted all topics to triviality. By six o'clock she was morally on her knees before him; she was imploring him to stay to dinner with her. He refused.
Elektra met Matt, and she fell in love with him. And I think he brought some good out of her at some point in her life, and maybe she wants to figure out, by coming back to him, who she really is. She comes back because she misses him, and she's alone, and the only person she's ever loved is Matt.
And she loved a man who was made out of nothing. A few hours without him and right away she’d be missing him with her whole body, sitting in her office surrounded by polyethylene and concrete and thinking of him. And every time she’d boil water for coffee in her ground-floor office, she’d let the steam cover her face, imagining it was him stroking her cheeks, her eyelids and she’d wait for the day to be over, so she could go to her apartment building, climb the flight of stairs, turn the key in the door, and find him waiting for her, naked and still between the sheets of her empty bed.
A man cannot tell whether a woman is in love with him or his security blanket until she is financially and psychologically independent enough to leave. Until a woman has learned how to leave, even she cannot be sure she has learned to love.
I'm a fan of horrors. I love the ones that make you jump. My girlfriend hates it. I've been dating her for one-and-a-half years and I'm crazy about her, but she's terrified of horror films. Not the cute 'Will you hold me?' way, but she's weeping. With 'House of Wax,' we'll be sleeping and I'll go to the bathroom and she's sitting up waiting for me.
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