A Quote by David Hepworth

I once interviewed Anthony Burgess on the radio. I played pop records between the conversation. — © David Hepworth
I once interviewed Anthony Burgess on the radio. I played pop records between the conversation.
Since the beginning of my recording career in 1975, I have had a little difficulty because the pop stations think I'm a jazzer who doesn't have a feeling for pop, so it's hard to get my records played. Similarly, black urban radio doesn't understand that with my R&B roots, I am more than a jazz singer. So I get pigeonholed.
Music is a conversation between people and their community, you know, people and - and deejaying, it is a way of amplifying that conversation and kind of putting that conversation on blast in a way. But at a very basic level, it's records talking to records.
Anthony sneezed and pushed them aside. "Mother, I am trying to have a conversation with the duke." Violet looked at Simon. "Do you want to have this conversation with my son?" "Not particularly." "Fine, then. Anthony, be quiet.
Growing up, there was only classical music on BBC Radio. We had to listen to the American Forces Network in Germany, which played pop songs, or the pirate radio boats off the coast.
K-pop is a weird term because K-pop has everything - rap records - it's very pop-sounding; there are really boy-band-sounding records.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
I started a radio show where I interviewed comics. And I interviewed Leno and Seinfeld and John Candy and Father Guido Sarducci and Garry Shandling, all when I was 16. And they kind of told me what to do.
Everybody in my neighborhood in the '40s, they played pianos. That's how people partied. They didn't try the TV, the radio was OK, records was cool, but when people wanted to party, they got around a piano. My mother played piano, my sister played. I've been around a lot of piano all my life.
Fvery time Anthony and I are supposed to fight, the lines come out, and it's like we're dead even. It's like people don't know what to make of a fight between Daniel Cormier and Anthony Johnson, when in reality, it should be very easy to know what to make of a fight between me and Anthony Johnson.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
I never aimed for the radio, you know? I'm a DJ - I want my records to be played by all the other DJs in the clubs.
Anthony: Now lower your dress a little- Roslynn: Anthony! Anthony: This is no time for offended modesty... You're the distraction. Roslynn: Och, well, in that case. Anthony: That's quite low enough, my dear... Roslynn: I was only trying to help, Anthony: Commendable, but we want the chap to ogle you, not bust his breeches.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
In the mid-'60s, AM radio, pop radio, was just this incredible thing that played all kinds of music... You could hear Frank Sinatra right into the Yardbirds. The Beatles into Dean Martin. It was this amazing thing, and I miss it, in a way, because music has become so compartmentalized now, but in those days, it was all right in one spot.
There are a lot of dynamics and a lot of politics that go into records and getting played on the radio.
This site uses cookies to ensure you get the best experience. More info...
Got it!