A Quote by David Hewlett

If I ever write an autobiography, 'Hilariously Unhappy' could very well be the title. — © David Hewlett
If I ever write an autobiography, 'Hilariously Unhappy' could very well be the title.
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.
Shakespeare often writes so ill that you hesitate to believe he could ever write supremely well; or, if this way of putting it seem indecorous and abominable, he very often writes so well that you are loth to believe he could ever have written thus extremely ill.
I won't ever direct a film. And I certainly won't write an autobiography. Only self-obsessed people want to write or talk about themselves!
Because I write fiction, I don't write autobiography, and to me they are very different things. The first-person narrative is a very intimate thing, but you are not addressing other people as 'I' - you are inhabiting that 'I.'
Tina Fey's autobiography is very, very funny and very well written. It's her life story: it's about how she grows up in New York. There's no obvious reason why I should enjoy this - I mean, this is the autobiography of a woman in her early 40s in New York. I'm a guy from a small town in Denmark.
Yes, one uses what one knows, but autobiography means something else. I should never be able to write a real autobiography; I always end by falsifying and fictionalizing—I’m a liar, in fact. That means I’m a novelist, after all. I write about what I know.
Ugly Betty' has been the most important thing I've ever done, easily. I was able to do more with one character than I can ever imagine doing again - Hilda was hilariously funny and emotionally deep... I really got to showcase what I could do with a character.
'Ugly Betty' has been the most important thing I've ever done, easily. I was able to do more with one character than I can ever imagine doing again - Hilda was hilariously funny and emotionally deep... I really got to showcase what I could do with a character.
When you write something you know, you're making a story that will work, whether or not there's bits taken. It's always funny to me when people say, 'Well, it's clearly autobiographical,' and I say, 'Well, how do you know my autobiography?' Certainly, there are things that are connected, but I just think it's a very interesting assumption.
Titles are very hard. Sometimes a title comes before I start to write the book, but often I finish the book and I still don't have a title. I have to go through the book again and then sometimes I hope a title jumps out at me from what I've written.
When I choose the title [for my book], which was my favorite title, I felt sure there was going to be a dozen books maybe with that name already because it's so obvious to me that that's the message. I was surprised it hasn't been the title of a single book. Well, there is a Shel Silverstein children's book called Falling Upwards. But no one has chosen Falling Upward as a title and I'm very happy it's right on the cover.
Sometimes you could be in an unhappy relationship; you are very much in love with someone, but it's making you unhappy and you think things can change and you can work it out.
The title 'Dohchay' is very perfect for the film. It is used very well in the title track. If you see the film, you will understand it.
I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.
I wish I could write well enough to write about aircraft. Faulkner did it very well in Pylon but you cannot do something someone else has done though you might have done it if they hadn't.
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