A Quote by David Hewlett

I've always spoken very quickly, and when I get nervous, I talk even faster. — © David Hewlett
I've always spoken very quickly, and when I get nervous, I talk even faster.
I'm always just very nervous. I never feel like, 'I've got this'. I'm always very nervous and aware of how quickly people can hate you and that scares me. I never feel like I'm on top of it or I know what I'm doing... so, no. I never get a big head, I just get more and more anxious.
I'm a restless person. I get bored very quickly, particularly with myself. I've used acting as an escape and a way to channel my nervous energy. So I've always looked to find a role that's as different from the one before it. I need change and variety or start to feel depressed.
If I've done a gig and at the end there are people waiting for autographs, they always seem nervous, but they probably don't realise that I'm more nervous than them. I get very embarrassed.
I can talk to execs very clearly, very plainly. I don't get nervous in front of them anymore.
Seeing Pax get extra-nervous about which shirt he is going to wear when he meets Aung San Suu Kyi, I get very moved. He rightfully doesn't get nervous going to a movie premiere; he gets nervous going to meet her.
...Let's get to the image as quickly as possible, let's get to the message even faster, and let's find the scale to knock you over the head with the image and the message.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
I type even faster than I talk. I'm very proud of that. I type so fast. And I have to because the characters are living in real time and I've got to keep up with them. It's a miracle they even give me a royalty.
People always talk about how time flies; it's become sort of a colloquialism now. You don't really understand it until you reach your late 30s and early 40s - and I'm sure time will move even faster as I get older.
I speak very quickly, even for an elected public servant. So if I fast-talk you, I'm not trying to mislead you.
I get so nervous on stage I can't help but talk. I try. I try telling my brain: stop sending words to the mouth. But I get nervous and turn into my grandma. Behind the eyes it's pure fear. I find it difficult to believe I'm going to be able to deliver.
Major organizational changes create uncertainty. But the point is to move quickly - faster than you are comfortable - because in hindsight, you will always wish you had made changes even sooner.
There are times when I do feel very nervous when I start a film. And I feel very nervous before the release. I do get stuck in some scenes, but that's very natural and human. It happens to all the artistes in the world.
I engaged - started engaging in yoga as a physical practice, but very quickly found out there was something broader to it, and that it was actually helpful for my pain, and started to get into meditation, started to study the Upanishads and the Bhagavad Gita and a lot of the scriptures associated with yoga, the Yoga Sutras, and very quickly came to this conclusion that this had a huge impact on my ability to lead, but, more importantly, the ability to control my sympathetic nervous system, which had a direct tie to the pain in my arm.
In fact, I've always thought that there are actors who can talk very quickly and effectively. And I've never felt that I'm in that category!
Ever since I started acting, I've always spoken to our people about identity. I've spoken to kids, telling them: "Where do I get my strength to push through the barriers to get me where I'm at today? It's my culture and my traditions, you know?
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