A Quote by David Hewlett
The nature of filmmaking is that there are so many people involved in it, so many fingers in the pie, that part of the talent of a director is to try and get your personality through in the movie.
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I learn a lot as a director from acting in other people's films and just in general. I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer. Basically, I like to help and be involved, so anything anybody asks me to do, my first reaction is to say "Yes."
I like the feeling of making things. It's very very rewarding. And filmmaking is that type of experience, where you're forced to collaborate with so many people. You're involved in the beginning to end, you're involved with so many elements, and when it's done, you're like, 'I made this movie.'
I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer.
In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make.
You only get one shot in your life and you might as well push yourself and try things. There's so many interesting aspects of making a movie; the costume department, the set design, the casting itself, the locations. It's a great, great thing to be involved in if you have the headspace for it, and I do. Try anything once.
When you are shooting a movie, you have to collaborate with many, many, many people. First of all, the director with all his own ideas and I can only just help him with that. I cannot change his idea.
I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.
Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.
To be a modern person in 2012, you are often required to have some electronics in your life. And I do. I try to put that phone down, put the computer away, and get out there and hike in the woods; feel it in my feet, feel it in my hands; get out in the garden and feel the soil under my fingers, my fingertips and my fingernails. I try to be involved in nature in a very tactile way. I think that's important.
You never realise that you have an impact on people's lives. There are so many girls that go through so many problems and who come to me. I really try and take time to speak to as many people as possible.
I got involved through the director of the show [Top Chef], he's a director of films in Mexico; I worked with him before. I watched the show in English -many times for many years - and I always loved it. As soon as I heard about having an opportunity to showcase Mexico in a different way, to show a different side of Mexico, that is not violent, that has beautiful colors and delicious food... I didn't think about it twice.
Guy Ritchie is the worst screenwriter in the world, but, to be fair, he is not the worst director. He is only the worst director of the people who actually get to make movies. As we speak, there are human beings walking the Earth - perhaps as many as a half dozen of them - with less directorial talent, but they've been safely diverted into other activities.
I want to get involved in causes I believe in, and I know so many others that want to also get involved, but it's hard to know how. Often, it's through big organisations, and you don't know exactly where your money is going or what effect you are having.
Promotions are the worst part of making a movie. We are actors and not salesmen. Still, you have to go to so many places to try and sell the movie.
I am prone to reshape and refashion things to try and please as many people as I can, to get as many nods or smiles out of as many people as possible.
Filmmaking has always involved pairs: a director coupled with a producer, a director alongside an editor... The notion of couples is not foreign to cinema.
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