A Quote by David Hewlett

There's very few comedy sci-fis that have worked for me other than the classics, like 'Red Dwarf' and, of course, 'Hitchhiker's Guide.' — © David Hewlett
There's very few comedy sci-fis that have worked for me other than the classics, like 'Red Dwarf' and, of course, 'Hitchhiker's Guide.'
Silverfish looked down. "Oh. Are you a dwarf?" Cuddy gave him a blank stare. "Are you a giant?" he said. "Me? Of course not!" "Ah. Then I must be a dwarf, yes."
If it looks like a Dwarf, and it smells like a Dwarf, then it's probably a Dwarf or a latrine wearing dungerees.
The greatest sci-fis, in my mind, are two things: They're what-ifs - what if this happened, and you get to see it - but they're also these philosophical cautionary tales. They deal with the underlying themes beneath the what-if.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
I'm playing an Amazon warrior princess in a new radio comedy series called 'Elvenquest,' and I'm playing a Russian genius in the comeback of 'Red Dwarf.'
Women comedy is different than men comedy. Guy comedy is very aggressive, it's about insulting each other, name-calling, and kind of busting each other's chops, and that's not what women's comedy is.
I have, for a few years, been writing comedy prose - short pieces for my blog - because I found it to be a good way to write while I was on a TV show. It was different enough from my scripts that it felt like a break, but it still was comedy and very fun. I like to do comedy!
I am a book reviewer. I write for a glossy magazine called 'SCI FI.' The money is not life-changing, but it's a low-stress gig. Publishers send me their books. More than I could possibly read. I pick a few and write about them, put a very few others on the shelf, to be perused at my leisure, someday.
The colour of a British wood in autumn is predominantly yellow. There are relatively few European trees which have red leaves in the autumn. But there are splashes of crimson or rust-red colours from a few indigenous trees, like the rowan, as well as from introduced species, like the North American red oak.
The problem is that I work in more than one genre. It's impossible for me to aim for a single one because, for me, comedy is mixed with tragedy. That's very Spanish, the way in which comedy and tragedy are inextricable from each other.
The story goes that I first had the idea for The HitchHiker's Guide to the Galaxy while lying drunk in a field in Innsbruck.
We do not allow dwarf tossing. If you toss a dwarf, the dwarf will be tossed right back at you, but faster.
It always astounds me that over the course of my career, and having lived in four comedy cities - New York, Boston, San Francisco, and Los Angeles - there's very few people I haven't run into.
I worked mostly in television drama for my first few years. I just kept guesting on NYPD Blues and CSI-like stuff, so when I started getting work in comedy, a lot of people in the business would say, 'Oh - I didn't know you did comedy.'
I've done a lot of work other than sci-fi, and between half-hour comedy, stage, and various movie roles, I've really tried to avoid being typecast.
I certainly do all sorts of work. I'm very, very blessed to do drama and other types of television, and things like that, but I always go back to sci-fi, whenever possible, because that's really exciting for me.
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