A Quote by David Hewson

I don't think I'd seen anything like 'The Killing.' — © David Hewson
I don't think I'd seen anything like 'The Killing.'
I know something about killing. I don't like killing. And I don't think a state honors life by turning around and sanctioning killing.
Once you let people know anything about what you think, that's it, you're dead. Then they'll be jumping about in your mind, taking things out, holding them up to the light and killing them, yes, killing them, because thoughts are supposed to stay and grow in quiet, dark places, like butterflies in cocoons.
It's probably weird to think about an addiction like it's a sentient being, but that's how it feels. Like it's something living inside you. Something you can't get rid of because killing it means killing you.
I used to think I was ugly. I thought I looked like a camel. A person who doesn't love themselves, they will see anything that pops up on their face. I've seen squirrels, I've seen a bird, and I've seen all kinds of animals on my face. But that is the result of self-hate. I've learned to say: 'You know what? I am a beautiful black woman'.
I think Tim Matheson is amazing and I think he's amazing in this - I haven't seen the film [Killing Reagan] since we shot it, but I think he's just incredible.
I think for a lot of people that had seen me do Snabba Cash, after watching The Killing, I think they got a sense that I could do different kinds of characters.
I think for a lot of people that had seen me do 'Snabba Cash', after watching 'The Killing,' I think they got a sense that I could do different kinds of characters.
Orson Welles was a force of nature, who just came in and wiped the slate clean. And Citizen Kane is the greatest risk-taking of all time in film. I don’t think anything had even seen anything quite like it. The photography was also unlike anything we’d seen. The odd coldness of the filmmaker towards the character reflects his own egomania and power, and yet a powerful empathy for all of them--it’s very interesting. It still holds up, and it’s still shocking. It takes storytelling and throws it up in the air.
I didn't think too much of killing individual people. I use to think of killing the human race sometimes.
Are you sure that being like everybody else will make you happy?" "I don't know any other way." "Let me show you." And then we're kissing. Or at least, I think we're kissing—I've only seen it done a couple of times, quick closed-mouth pecks at weddings or on formal occasions. But this isn't like anything I've ever seen, or imagined, or even dreamed: this is like music or dancing but better than both.
Over-intellectualizing can justify practically anything. Reason has reasons that can create holocausts. In the 20th century, we have certainly seen how much killing and disaster has been championed with superb intellectual reasons.
I'm perfectly honest, I've never seen Twilight, I've never seen The Vampire Diaries, and I've never seen True Blood, or anything like that.
There are some circumstances, for example, where the newborn baby is severely disabled and where the parents think that it's better that child should not live, when killing the newborn baby is not at all wrong ... not like killing the chimpanzee would be.
And I'm dying to know, is it killing you like it's killing me? And the story of us looks a lot like a tragedy now.
I think once you've seen a song with a video, it limits your own mind's ability to read into it anything other than what you've seen.
We have not seen a single Jew blow himself up in a German restaurant. We have not seen a single Jew destroy a church. We have not seen a single Jew protest by killing people.
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