A Quote by David Hewson

If you think about what 'The Killing' is, it is the theatrical production, not the script. — © David Hewson
If you think about what 'The Killing' is, it is the theatrical production, not the script.
I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.
I know something about killing. I don't like killing. And I don't think a state honors life by turning around and sanctioning killing.
When you do a good theatrical production, sometimes you dream about that 8 o'clock curtain call for six months.
I'm not a vegetarian. Now, don't get me wrong - I like animals. And I don't think it's just fine to industrialize their production and to churn them out like they were wrenches. But there's no way to treat animals well when you're killing 10 billion of them a year. Kindness might just be a bit of a red herring. Let's get the numbers of animals we're killing for eating down, and then we'll worry about being nice to the ones that are left.
On '24,' it says on the front page of your script: 'This script is for the production staff and cast. Please don't show it to anybody else.'
I think some people get confused between development and pre-production. In pre-production, you know all your dates.You know when you're aiming to release the film. You've got your script. You've got everything sorted.
Nelson McCormack on 'Killing Kennedy' was really terrific because I wrote the script, and he had some terrific ideas. We went over the script together, and I was with him on set. So it was a collaborative effort.
We have a rule: if you're killing off a series regular, you have to tell them first. If you're killing off a person temporarily, you have to warn them before the script comes out.
'Killing Pablo' to me - as much as I love 'The Grey''s script - 'Killing Pablo' to me is the best thing I've ever written.
Confronted with this double madness of the labourers killing themselves with over-production and vegetating in abstinence, the great problem of capitalist production is no longer to find producers and to multiply their powers but to discover consumers, to excite their appetites and create in them fictitious needs.
When you finish reading a script and think it is good but have reservations about a kissing scene, it means that you haven't understood the script completely.
I am in the theatrical profession myself, my wife is in the theatrical profession, my children are in the theatrical profession.I had a dog that lived and died in it from a puppy; and my chaise-pony goes on, in Timour the Tartar.
What appealed to me about 'The Loved Ones' script was that it had this really theatrical element to it. I thought that the scope of this character is so broad, and there is so much fun to be had playing a crazy teenage loner. It was a great way to explore the delusions a mind can create.
Development is the first phase. People write a script, you get concept art. You get to a point where you get a green light, which is basically a production company saying they're going to put the money up to make the movie. Then you go into production.
There's something about taking a film from concept to script, through production, and then to see the final thing happening in the edit phase. It's almost like a miracle in the making.
The entire elementary school in Rotan, Texas, presented a theatrical production of 'Snow White and the Seven Dwarfs.' And the part of Sneezy fell to me.
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