A Quote by David Hockney
...all along I've had an ambivalent relationship to photography - but as to whether I thought it an art form, or a craft, or a technique, well, I've always been taken with Henry Geldzahler's answer to that question when he said, I thought it was a hobby.
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I've always thought photography was an art form, but it had very low appreciation in the beginning, except for some Europeans, and of course Stieglitz. Stieglitz always considered photography to be an art form and is the "father" of the creative concepts of the twentieth century.
A dialogue is very important. It is a form of communication in which question and answer continue till a question is left without an answer. Thus the question is suspended between the two persons involved in this answer and question. It is like a bud with untouched blossoms . . . If the question is left totally untouched by thought, it then has its own answer because the questioner and answerer, as persons, have disappeared. This is a form of dialogue in which investigation reaches a certain point of intensity and depth, which then has a quality that thought can never reach.
If you want to be considered a poet, you will have to show mastery of the petrarchan sonnet form or the sestina. Your musical efforts must begin with well-formed fugues. There is no substitute for craft... Art begins with craft, and there is no art until craft has been mastered.
I've always thought photography is not so much of an art form but a way of communicating and passing on information.
I collect art on a very modest scale. Most of what I have is photography because I just love it and it makes me happy and it looks good in my home. I also have a pretty big collection of art books mainly, again, on photography. A lot of photography monographs, which is great because with photography, the art itself can be reproduced quite well in book form.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
To be a scientist you have to be willing to live with uncertainty for a long time. Research scientists begin with a question and they take a decade or two to find an answer. Then the answer they get may not even answer the question they thought it would. You have to have a supple enough mind to be open to the possibility that the answer sometimes precedes the question itself.
Everywhere there is craft and technique; everywhere there is artistry and form. Art itself, technique, is ponderous and clumsy, and because of its awkwardness it obstructs that inner element.
I thought 'Arnold Layne' was a nice name and fitted well into the music I had already composed. Then I thought, 'Arnold must have a hobby,' and it went from there.
The destiny of photography has taken it far beyond the role to which it was originally thought to be limited: to give more accurate reports on reality (including works of art). Photography is the reality; the real object is often experienced as a letdown.
Wes Clark is a man of whom you can ask a question, and he will look you directly in the eye, and give you the most truthful and complete answer you can imagine. You will know the absolute truth of the statement as well as the thought process behind the answer. You will have no doubt as to the intellect of the speaker and meaning of the answer to this question....So you can see, as a politician, he has a lot to learn.
The only craft and technique you have legitimate access to is the craft and technique you forgot, that has dissolved itself into the unconscious... Because you have learned it so well you have forgotten it.
I've never really taken myself too serious. That's everybody else, listening to the music or whatever. I've always said what I've felt, said what I thought was right, but I've always had a comedic bone.
To know whether photography is or is not an art matters little. What is important is to distinguish between good and bad photography. By good is meant that photography which accepts all the limitations inherent in photographic technique and takes advantage of the possibilities and characteristics the medium offers. By bad photography is mean that which is done, one may say, with a kind of inferiority complex, with no appreciation of what photography itself offers: but on the contrary, recurring to all sorts of imitations.
The fundamental facts about the Greek was that he had to use his mind. The ancient priest had said, "Thus far and no farther. We set the limits of thought." The Greeks said, All things are to be examined and called into question. There are no limits set on thought.
I had never really thought about acting as art. You know, growing up in Youngstown, the Rust Belt of the world, it was always just a form of entertainment. Finally seeing it as an art form, I fell in love with it. So I moved out to California, never having visited before.
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