A Quote by David Hockney

The editing of moving pictures is geared toward the single image. You'd have to edit things in new ways. — © David Hockney
The editing of moving pictures is geared toward the single image. You'd have to edit things in new ways.
When I edit the poems - and I do edit, which some people don't mean when they use the term "stream of consciousness" - I'm usually editing toward greater accuracy, which sometimes means more fragmentation, because that is the way I think.
I used to edit my pictures and make my lips look even bigger in the editing apps.
I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
My only focus was the Olympics because in my sport, that is the ultimate. Everything is geared toward that, and my entire life was geared around getting there and winning gold.
I think I learned most from editing, both editing myself and having someone else edit me. It's not always easy to have someone criticize your work, your baby. But if you can swallow your ego, you can really learn from the editing.
The moving toward one's inner self is a long pilgrimage for a painter. It offers many temporary successes and high points, but impels him on toward the more adequate image.
One of the magical things about these anthropomorphic animal movies is that we can take things that are so common in our own world that we deal with, like the DMV, or moving to a new city, or our family, and show you a mirror image of those things, reflected in a whole new way. That's why animals are great.
I'm a fierce editor! I don't edit out things that I began by saying, usually. The editing is on the micro level - a comma here, a word there.
The Top 40 is geared toward 20 and under, not 20 and up. That's the audience I'm geared to
The Top 40 is geared toward 20 and under, not 20 and up. That's the audience I'm geared to.
I don't think things are moving toward an omega point; I think they're moving toward more diversity.
I don't think things are moving toward an omega point; I think they're moving toward more diversity
In a way, it's like the photographer always has his vision of me. The pictures that I'm known for are not really my image, they're always the photographer's vision of me. I can look a hundred different ways, but what people see of me in pictures is not really my image.
I like to edit my sentences as I write them. I rearrange a sentence many times before moving on to the next one. For me, that editing process feels like a form of play, like a puzzle that needs solving, and it's one of the most satisfying parts of writing.
Your job as an executive is to edit, not write. It's OK to write once in a while but if you do it often there's a fundamental problem with the team. Every time you do something ask if you're writing or editing and get in the mode of editing.
...passing swiftly on toward further darknesses, but moving also toward a new sun.
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