A Quote by David Hockney

Picasso is still influencing me. Of course, I haven't got that kind of energy, or skill. — © David Hockney
Picasso is still influencing me. Of course, I haven't got that kind of energy, or skill.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
Writing is the great skill, the creative skill. The acting is more an interpretative skill. And the thrill for me is the moment when I think of something. And then the challenge is how to get that funny idea to work in terms of the structure and that kind of thing, which is - and that's what I really love doing.
Well I've also kind of noticed that, whatever energy that you put out, is kind of the energy that you receive. And so people are just really lovely and kind and soft spoken with me.
My core is grime. But I make all kinds of music. Take Picasso. He could paint whatever way he liked. He could do a little ting with a felt tip if he wanted to - it's still going to be a bad boy Picasso at the end.
Leadership: The skill of influencing people to work enthusiastically toward goals identified as being for the common good.
The fact that I can come in and give energy to the team, no matter my skill level, I have that. That's an NBA ready skill.
I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.
Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»
There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing.
Your regional newspaper, and I like to use this example, in your local museum buys a Picasso, that's news especially if they've spent $10 million for it. But if you don't have a credit on your staff then you don't have anybody who's confident to say whether or not it was a good Picasso, might even be aware of the fact that there are bad Picassos. Arts journalists who don't have the experience of criticism, the skill of criticism, don't think in terms of critical evaluation are not going to be as good a journalist as they might be.
The unseen energy that was once in Shakespeare or Picasso or Galileo or any human form, is also available to all of us. That is because the spirit energy does not die, it simply changes form.
Reading off a Teleprompter is an easy skill to do passably well and a difficult skill to do very well. I still have room for improvement there. I still talk too fast and I'm trying to slow myself down.
Maybe at the end of my figure skating career, I'll be able to have just the one game I always dreamed of having. I've still got the skill, I think. I'd have to work on my stick-handling skills, but the speed and my hockey smarts are still there.
I wanted to play football all my life, and when I got accepted to Florida State, it was academically - it wasn't for any kind of scholarship. I kind of sat down and said, 'I'm not going to make it to the NFL. I'm not the size nor the skill.'
How am I influencing so many people on this stage rather than influencing the ones that I have back home?
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