A Quote by David Hockney

In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves. — © David Hockney
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
I want to help people understand themselves a little bit better, to stop being so critical and judgmental of themselves, and to help them understand why they are going through some of the difficult things in their lives.
I don't think people should do things that they're not comfortable with, unless they want to stretch themselves in that way and challenge themselves.
Fashion is, after all, a form of escapism, and in fact people are buying more special things than ever, nowadays. They deny and deny themselves, and wait and wait, and then they get sick of it and spend to make themselves feel better.
Love, experienced thus, is a constant challenge; it is not a resting place, but a moving, growing, working together; even whether there is harmony or conflict; joy or sadness, is secondary to the fundamental fact that two people experience themselves from the essence of their existence, that they are only one with each other by being one with themselves, rather than by fleeing from themselves.
The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
Love is something difficult and it is more difficult than other things because in other conflicts nature herself enjoins men to collect themselves, to take themselves firmly in the hand with all their strength, while in the heightening of love the impulse is to give oneself wholly away.
The fact that many people overindulge, and lose themselves in excess, and make fools of themselves and act like idiots, is no reason for me to do these things. The reason for me to do these things is that I, too, am an idiot.
In my life, I have learned that most people want the same thing. They are not driven by class resentment. What they want most is to make a better life for themselves and their families - and to know that the opportunities for their children will be better than they were for themselves.
Artists make art for themselves. Art is an honest expression. Artists who pander to their fans by trying to make music "for" their fans make empty, transparent art. The true fan does not want you to make music for them, they want you to make music for you, because that's the whole reason they fell in love with you in the first place.
If women were by nature what they make themselves by art; if they were to lose suddenly all the freshness of their complexion, and their faces to become as fiery and as leaden as they make them with the red and the paint they besmear themselves with, they would consider themselves the most wretched creatures on earth.
Sometimes you have to make decisions that necessarily exclude the collective. It's more difficult to be a friend - even though they know each other and they treat each other like friends, it's more of a challenge for them. It's just institutional fact; the two characters that are the most aloof are the ones who have the most responsibility.
As a general rule, those who are dissatisfied with themselves will seek to go out of themselves into an ideal world. Persons in strong health and spirits, who take plenty of air and exercise, who are "in favor with, their stars," and have a thorough relish of the good things of this life, seldom devote themselves in despair to religion or the muses. Sedentary, nervous, hypochondriacal people, on the contrary, are forced, for want of an appetite for the real and substantial, to look out for a more airy food and speculative comforts.
When I'm writing, especially when I'm writing in first person, I don't think about the characterization, or how they are going to express themselves, I just express my own approach to these things. I think most writers can never divorce themselves from their private lives and personas; they are the ones that are writing. And the more they remove themselves from their own persona, the more, perhaps, mechanical the work becomes.
Anybody who severs their own Achilles tendon, takes blood thinners to induce a hospital stay , or beats themselves with their fists hurts themselves as much, if not more, than they benefit from the attention they derive from their actions. Con artists usually benefit from misleading others without sacrificing anything themselves. All my girls have sacrificed plenty.
The basic problem is not political, it is apolitical and human. One of the most important things to do is to keep cutting deliberately through political lines and barriers and emphasizing the fact that these are largely fabrications and that there is another dimension, a genuine reality, totally opposed to the fictions of politics: the human dimension which politics pretend to arrogate entirely to themselves. This is the necessary first step along the long way toward the perhaps impossible task of purifying, humanizing and somehow illuminating politics themselves.
To be honest, the first time round, I didn't think 'Fame Academy' was the worst premise in the world. You got people on, and they would write songs and develop themselves as artists. But then, instead of getting a little bit more credible, it got a little bit more ridiculous.
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