A Quote by David Hockney

I'm not really looking for theater work. But if somebody approaches me with enthusiasm, I might respond. — © David Hockney
I'm not really looking for theater work. But if somebody approaches me with enthusiasm, I might respond.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
It's a contract of connection to be in the same space and watch and listen to stories and be caught in them. When you're in a theater, your brain expands because somebody in the theater may do something or respond to something that you wouldn't have.
China approaches fashion with strong enthusiasm. And I believe that this enthusiasm can be translated into something interesting, economically speaking. Not only for my brand, but also for other brands.
You work with stand-up comedians or you work with somebody in theater, you work with somebody from Star Search or Survivor or a kid, it constantly changes how you play with people.
You work with stand-up comedians or you work with somebody in theater, you work with somebody from 'Star Search' or 'Survivor' or a kid, it constantly changes how you play with people.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
If somebody comes to me looking for a fight, they might get one.
Enthusiasm is my superpower. One might say that confidence yields the same result. I disagree. Confidence is about yourself, enthusiasm is about something else. Confidence is impressive, but enthusiasm is infectious. Confidence is serious, enthusiasm is fun.
I'm taking my own time but I don't want to just relax either. Also, when you're looking for work, everybody approaches you, but I'm trying to target the right project that takes me a level up.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp. What works in one doesn't work in the other, and you have to be looking for the truth of the performance, whatever way that medium might demand.
I would love to be the undisputed welterweight champion of the world - that's always been the big dream - but outside of that, it really just makes me happy whenever somebody approaches me and they say, 'You are truly one of my favorite fighters in the sport of boxing today.'
I'm looking back at what I did and how it works. In a sense I'm waiting to see how people will respond. I'm waiting to see how you respond, without asking me to tell you what I think about it, because it is your job to give me an idea of how you go about thinking about this work. And if it's too absurd then, you know, I'll kick you out!
I hope somebody falls in love with me - other than my fiancee. But that's what you want. As a player you want a team that really wants you; head coach, GM, owner, everybody that really wants you in their place and the players believe in you. I'm looking forward to making somebody fall in love with me.
The thing for me, and I can only really judge this by what I respond to myself as an audience member, I really only respond to a movie if I'm interested in the people who are in it. It's really that simple. If I'm not, then it's all noise.
If somebody says or does something to me first, then I'll respond, and I go overboard with it, and it seems like I'm the one that has beef with somebody.
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