A Quote by David Hockney

I do do a lot of talking, because it saves me listening. — © David Hockney
I do do a lot of talking, because it saves me listening.
I started listening to rap music in 2012 or something, because that was when I started becoming friends with American people, and they showed me rappers to listen to. I actually started listening to Macklemore a lot. He's the first rapper I started listening to.
I think we invent jargon because it saves times talking to one-another.
Leaders can get stuck in groupthink because they're really not listening, or they're listening only to what they want to listen to, or they actually think they're so right that they're not interested in listening. And that leads to a lot of suboptimal solutions in the world.
I think there's a lot of power in listening to one person talking to you. And this should never be underestimated.One person sitting and talking to you and, you're pulled in, in ways that technology and art and all cannot.
My way to de-stress is either listening to music or talking to my sister, Kourtney. She's going to teach me how to meditate, and that should help a lot.
I ask my assistants if they're retarded all the time. When the camera is on you, of course, actors have the ability to make it real. For me, if I'm not talking, it is a problem. I have so much more respect for actors after being in front of the camera, and I realize that the hardest part is when you're not talking. Listening is harder than just acting. Listening is the hardest part.
I chop a lot of onions because I love cooking, and the times where I've never cried chopping onions is when I'm not thinking about it, when I'm talking to someone or I'm listening to music.
You have these kids trying to make these grown up decisions because nobody is talking to them. We're talking at them, but we're not listening to them.
I just love listening to music and talking about it, so my social media is mostly dedicated to talking about songs and stuff that interests me.
I think making a documentary gets you out and about more, with people. With stand-up, you're talking at people. With documentaries you're talking with people, and you're listening a lot more.
What I bring to the interview is respect. The person recognizes that you respect them because you're listening. Because you're listening, they feel good about talking to you. When someone tells me a thing that happened, what do I feel inside? I want to get the story out. It's for the person who reads it to have the feeling . . . In most cases the person I encounter is not a celebrity; rather the ordinary person. "Ordinary" is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things. (p. 176)
I did a lot of talking - not as much background talking as a lot of people because I've never been someone who is too afraid of saying what I feel. I just don't see any reason to.
I'm kind of looking for something with a lot less action and more talking and listening.
I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.
My game is characterised by consistency, and that is what has brought me to Liverpool and helped me grow and develop. I like to make simple saves. I don't make saves for the camera.
Last week I was listening to a podcast on Hanselminutes, with Robert Martin talking about the SOLID principles... They all sounded to me like extremely bureaucratic programming that came from the mind of somebody that has not written a lot of code, frankly.
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