A Quote by David Horsey
A couple of websites I've come across credit the 'New York Times' for reporting that 12,000 women a year are arrested for breastfeeding in public. I could not confirm that number with a quick search, but even 1,200 would be too many - or even 12.
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We work in vertical and horizontal planes. We avoid depth characteristics as much as possible. This reduces the number of pictures in a five minute segment from 12,000 to 1,200. And the public likes the technique better.
My first contract I was offered by the UFC, or my second contract, it was 1-and-1, 2-and-2, 3-and-3. That's $12,000 for the year. Don't complain to me about fighter pay. It was $12,000 for a year, and it was exclusive.
I was living in Knoxville, Tennessee, and I didn't really know how you would become a singer. I didn't even think that I could do it. I didn't even dream about it. But when I was 12, it was that year where I got tall, boys got cute, everything was weird. Then my parents split up on top of that, so it was a big year of change for me.
When I did the album Electric Circus, not only was it not commercially received. But even the critics and hip-hop community was like "What is this?" At that moment, I could've been written off. But I had to believe because I really love what I do. I'm passionate about it. If 12 million recognize it, that's beautiful. If 12,000 do, that's beautiful. But I'm always going to put my heart and soul in it and I'm going to shoot for the stars and go for the highest levels of recognition and creativity. I definitely doubted myself at the time. But it always come back to believing what I do.
The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got The Devil Wears Prada, and its why I even got in the door for Mad Men.
The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got 'The Devil Wears Prada,' and it's why I even got in the door for 'Mad Men.'
I've always liked New York even before I lived in New York. It represents something, I think, and it would be trite to say what it represents really because it's been said so many times.
Gian Luigi Polidoro and his girlfriend had written this script, it was an American comedy, and they decided I was the guy to play the part. I was young, they offered me the lead in the film, and I said, "Sure, I'll do it." And I'm telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits. We would literally grab a shot and run. But Rent Control... I think the total cost was $100,000, and to this director's credit, I think it looks like $200,000.
There are only four or five real events that we have that draw that many people into town each year. We should have at least 12; and once we have 12, we can have 24.
He who has heard the same thing told by 12,000 eye-witnesses has only 12,000 probabilities, which are equal to one strong probability, which is far from certain.
Every morning between 9 and 12 I go to my room and sit before a piece of paper. Many times, I just sit for three hours with no ideas coming to me. But I know one thing. If an idea does come between 9 and 12 I am there ready for it.
I say to people, 'Do you have any idea how hard it is to do that, to write 7,000 words in 10 hours or 12 hours for the front page of the 'New York Times' and to know that they trust you so much that that it's going to lead the paper?' It's hard. I mean, it's a feat.
When I was 12, that's when I went to college. All my friends were 20, 21, and I was 12. It didn't even occur to me that that was strange.
I had a moment where I had reached 200,000 followers. At the time, a lot of people would get to that number on YouTube, and they'd stop growing. I was really scared because I didn't want that to happen to me, so when I reached 200,000 subscribers, I was like, 'Eva, you have to do this. You have to work hard and push past this number.'
I was reading an article in the 'New York Times;' it talked about being in the zone, and being in the zone you're so focused that time ceases to exist. It's when you think, 'Oh, I've been doing this for five hours and didn't even know it.' It's the difference between hard work and going, '12 o'clock, not moving.'
Last year, New York got $200 million. This year, we're going to give them $124 million under this particular program. But last year was an artificially elevated number to make up from the very low grant the year before.
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