A Quote by David Hume
Tis evident that all reasonings concerning matter of fact are founded on the relation of cause and effect, and that we can never infer the existence of one object from another, unless they be connected together, either mediately or immediately... Here is a billiard ball lying on the table, and another ball moving toward it with rapidity. They strike; and the ball which was formerly at rest now acquires a motion. This is as perfect an instance of the relation of cause and effect as any which we know, either by sensation or reflection.
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..all arguments concerning existence are founded on the relation of cause and effect; that our knowledge of that relation is derived entirely from experience; and all our experimental conclusions proceed upon the supposition that the future will be conformable to the past. .... Without the influence of custom, we should be entirely ignorant of every matter of fact beyond what is immediately present to the memory and senses.
It is common error to infer that things which are consecutive in order of time have necessarily the relation of cause and effect.
As the cause is, so the effect will be Cause is never different from effect, the effect is but the cause reproduced in another form.
It is in the very nature of a beginning to carry with itself a measure of complete arbitrariness. Not only is it not bound into a reliable chain of cause and effect, a chain in which each effect immediately turns into the cause for future developments, the beginning has, as it were, nothing whatever to hold on to; it is as though it came out of nowhere in either time or space.
The cause of Sense, is the External Body, or Object, which presseth the organ proper to each Sense, either immediately, as in theTaste and Touch; or mediately, as in Seeing, Hearing, and Smelling: which pressure, by the mediation of Nerves, and other strings, and membranes of the body, continued inwards to the Brain, and Heart, causeth there a resistance, or counter- pressure, or endeavor of the heart, to deliver it self: which endeavor because Outward, seemeth to be some matter without.
Now it must be asked if we can comprehend why comets signify the death of magnates and coming wars, for writers of philosophy say so. The reason is not apparent, since vapor no more rises in a land where a pauper lives than where a rich man resides, whether he be king or someone else. Furthermore, it is evident that a comet has a natural cause not dependent on anything else; so it seems that it has no relation to someone's death or to war. For if it be said that it does relate to war or someone's death, either it does so as a cause or effect or sign.
De Cometis
I feel like if they put the ball in the air, it's my ball. It's either a PI or it's my ball.
I define a Sign as anything which is so determined by something else, called its Object, and so determines an effect upon a person, which effect I call its Interpretant, that the latter is thereby mediately determined by the former.
Once the referee throws the ball in the air, it's either your ball or their ball and you have to just take your shot.
Training's completely different now. It used to be a lot of running and work without the ball. Now it's all with the ball, which any player loves.
Now the relation which, in the sphere of nature, being and semblance or sensation bear to one another in this antithesis, is the same as that which in ethics exists between good and pleasure or feeling.
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
Everybody has their own answer of what a catch should be. I say, secure the ball; if the ball is not moving, it's a dead ball, simple as that.
One should not wrongly reify 'cause' and 'effect,' as the natural scientists do (and whoever, like them, now 'naturalizes' in his thinking), according to the prevailing mechanical doltishness which makes the cause press and push until it 'effects' its end; one should use 'cause' and 'effect' only as pure concepts, that is to say, as conventional fictions for the purpose of designation and communication-not for explanation.
I do what I've trained my whole life to do. I watch the ball. I keep my eye on the ball. I never stop watching. I watch it as it sails past me and lands in the catcher's mitt, a perfect and glorious strike three.
Wonder [admiratio astonishment, marvel] is a kind of desire for knowledge. The situation arises when one sees an effect and does not know its cause, or when the cause of the particular effect is one that exceeds his power of understanding. Hence, wonder is a cause of pleasure insofar as there is annexed the hope of attaining understanding of that which one wants to know. ... For desire is especially aroused by the awareness of ignorance, and consequently a man takes the greatest pleasure in those things which he discovers for himself or learns from the ground up.
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