A Quote by David Hume
Beauty, whether moral or natural, is felt, more properly than perceived.
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Meditation is another dimension of natural beauty. People talk about appreciating natural beauty-climbing mountains, seeing giraffes and tigers in Africa, and all sorts of things. But nobody seems to appreciate this kind of natural beauty of ourselves. This is actually far more beautiful than flora and fauna, far more fantastic, far more painful and colorful and delightful.
A spontaneous act of generosity, performed with unselfish grace is an example of moral beauty, as are certain acts of courage; genuine modesty is a possible example, as is selfless love. Although moral beauty is a natural gift, it is nevertheless more likely to emerge and flourish in societies that appreciate and encourage it.
The most natural beauty in the world is honesty and moral truth. For all beauty is truth. True features make the beauty of the face; true proportions, the beauty of architecture; true measures, the beauty of harmony and music.
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.
The most natural beauty in the world is honesty and moral truth. For all beauty is truth.
When nature suffers because it is destroyed by human activities, the notion of beauty is really losing its meaning, because nothing is more aesthetic than the natural beauty.
It is far more important that one's life should be perceived than that it should be transformed; for no sooner has it been perceived, than it transforms itself of its own accord.
I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?
Happily there exists more than one kind of beauty. There is the beauty of infancy, the beauty of youth, the beauty of maturity, and, believe me, ladies and gentlemen, the beauty of age.
I think, in all fields, there's this motherhood pay penalty where, the second you become a mother - and this is true whether you give birth or adopt - you're perceived to not be as committed to your job. Whereas men are perceived as breadwinners who now need more money and promotions because they're fathers.
From all these experiences the most important thing I have learned is that legibility and beauty stand close together and that type design, in its restraint, should be only felt but not perceived by the reader.
There is a much more exact correspondence between the natural and moral world than we are apt to take notice of.
We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.
What is essential is whether it is perceived and not whether it exists. To exist and yet not to be perceived is the same as not exist.
True beauty is in the mind; and the expression of the features depends more upon the moral nature than most persons are accustomed to think.
When I was 14, I felt very rundown; I had a home to go to, but I felt like I was 60 or something, older than I feel now. And I don't know if it's something that happens at 14, or whether it was adolescence or whether I was gay, or closeted gay, or whatever it was, I felt that.
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