A Quote by David Hyde Pierce
There's nothing worse than putting two similar shows back-to-back. Viewers don't want to watch one show and then sit through another half-hour of almost the same thing.
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I personally can watch an eight-hour documentary on Woody Allen because I'm fascinated by him. But, an audience can't really sit through more than two and a half hours on any movie. It doesn't matter if Marlon Brando came back from the dead. It's just impossible.
You had to have two VCRs, and you had to tape everything, and you had to make a choice - you either watch WWF or you watch WCW, or you watch one half of one show and the last half of the second show or whatever the case was back then.
I was a huge David Letterman fan, even going back to when he was on NBC. My parents would only let me watch a half hour of television a day, so I would record Letterman the night before and then watch it when I came home from school. That's what made me want to do a T.V. show.
My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing
My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing.
When you have a nightmare, you think, 'What caused this?' And then you can sometimes get the same scenario two or three nights, back to back. Or something really bad happens, and you feel absolutely sad and do not want it to be real. You don't want to fall asleep and get sucked back into that same dream.
That's what I've always loved about music, that I could go be another guy for two hours. But ultimately it all comes back to: do you have the songs, can you sing them, do you have a great band that can play them with you? You're charging money to have people come watch you play; I want them to feel taken someplace good or provoked into thinking my way for an hour and a half or two hours. I have been a provoker and I'll probably always be one in the public arena for the rest of my life.
I watch movies and sports. I can count on the fingers of my hand the number of times I have watched an hour show. I never watch a half-hour show, and I never watch myself.
There is evidence that people do want to watch shows back to back - that's why DVR use is so high. When you're able to DVR something, people will watch more than one episode.
We want to see a struggle. We want to see people falling over but getting themselves back up on their feet, and that's what's extraordinary- ordinary people and their struggle. There's nothing as interesting as real life out your window. You walk down the street for half an hour, I'll give you half an hour of drama.
Sometimes Thomas Mackee will stick an earphone into my ear and ask me to listen to a song. When I get over the revulsion of putting something in my ear that's been in his, I sit back and let the music take over, and for a half hour there's something comforting about someone's heart beating at the same rhythm as mine.
But the thing is if you've got an hour to sit down in front of a television, then the likelihood is that you've probably got two hours. So why wouldn't you, if you're enjoying it not want to watch the other one? And so, this is the future. Ten episodes at once is what everyone wants, and then it's up to you how you spread those out
People buy box sets, and they sit for a whole weekend with a computer on their lap in bed, and they watch two seasons back-to-back of a show. They are invested in the person within that arc or the dynamics of those people - the relationships - and it doesn't matter to them if they're watching it on an iPhone or a cinema screen.
I know that my job is to perform, it wouldn't be a very interesting show if I just came out one day and said, "I'm going to sit here in a ball and rock back and forth. And won't you join me for a half hour of sadness."
If you sit in on a film class with students, their big complaint is "That's not like real life." They don't realize that they don't really want to watch real life. They don't want to sit and watch a security camera. There's a strong gravity in all of us as viewers - even in myself now and then - to want to see real life depicted. But you're looking for it in the wrong places. It's in little allegories, in something removed.
The stories we sit up late to hear are love stories. It seems that we cannot know enough about this riddle of our lives. We go back and back to the same scenes, the same words, trying to scrape out the meaning. Nothing could be more familiar than love. Nothing else eludes us so completely.
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