A Quote by David Ignatius
Movies have a way of distilling moments in our culture, and 'Gravity' may be the defining film for the lost-in-space year of 2013: Nothing works.
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The theoretical recognition of the split-space of enunciation may open the way to conceptualising an international culture, based not on the exoticism of multiculturalism or the diversity of cultures, but on the inscription and articulation of culture's hybridity. It is the inbetween space that carries the burden of the meaning of culture, and by exploring this Third Space, we may elude the politics of polarity and emerge as the others of our selves.
Satan dreads nothing but prayer. . . . The Church that lost its Christ was full of good works. Activities are multiplied that meditation may be ousted, and organizations are increased that prayer may have no chance. Souls may be lost in good works, as surely as in evil ways. The one concern of the devil is to keep the saints from praying. He fears nothing from prayerless studies, prayerless work, and prayerless religion. He laughs at our toil, mocks at our wisdom, but trembles when we pray.
One sign of a great actor is when he can be alone by himself on the screen, doing almost nothing, and producing one of a film's defining moments.
After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.
WrestleMania is an experience. It's an overall ride, its ups and its downs and its curves and its music. It's presentation, and it's emotion, and it's paying tribute to the past and progressing the product into the future. It's career-defining moments for people who live for career-defining moments.
I am grateful for what I call well-spent moments: Making a tuna fish sandwich with the works. Taking at least a half hour to eat it outside. Ironing my vintage tea towels while watching old black-and-white film noir movies and sipping one martini with extra olives - a quirky combination, but it works.
Nothing in our evolutionary history specifically prepared us to live in large societies. Almost everything about the way culture works does.
We talk about defining moments, but I think nothing can define you. They're all refining moments. You're constantly refining yourself and refining your life.
There are moments in time when the coincidence of art and reality interact to allow us a glimpse into the context of history. The release of the Christopher Nolan film 'Interstellar' a few days after two catastrophes in our space endeavor gives us one of those moments.
In contemporary art or movies, it makes perfect sense to be focused on the bleeding edge, on the new idea that's never been previously contemplated. But when we're discussing our goals, our passion and the way we interact with the culture, it seems to me that what works is significantly more important than what's new.
What's aero braking? That's a way to use the gravity and upper atmosphere of Earth to sling shot a ship out either deeper into space, or slow it down to be 'captured' by Earth's gravity.
A beautiful woman in our culture, and I would like to say, you know, this was different in 1962, but it still exists today - I know a lot of these women -treats different in a different way; meaning that if you're a beautiful woman, you're incredibly powerful within our culture. The world operates differently for you. Then, at a moment in time, and it has nothing to do with you, it's like the carpet is just ripped out from under you, and the way that you've operated in the world no longer works.
There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
2013 was a year of great accomplishment for Duke: our first full year as a combined company.
There are three huge, titanic, space movies which if you ever make a film [about space] you cannot avoid. You may want to avoid them but you cannot. I've never known a genre like it where you are dictated to by these films, 2001, Alien, and Tarkovsky's Solaris.
Real space movies have to involve zero gravity and a world without up or down.
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