A Quote by David Jason
It has taken a lot of persuasion for me to take part in an official documentary about 'Only Fools and Horses.' But, as time has gone on, it seems to have been imprinted in television history, and I thought it was only right that I tried to give an accurate insight into how the show was put together.
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It strikes me that the only reason to take apart a pocket watch, or a car engine, aside from the simple delight of disassembly, is to find out how it works. To understand it, so you can put it back together again better than before, or build a new one that goes beyond what the old one could do. We've been taking apart the superhero for ten years or more; it's time to put it back together and wind it up, time to take it out on the road and floor it, see what it'll do.
I had nothing to do with death panels. I thought it was a horrible phrase about end of life. I didn't think it was accurate, and I was - I've always been opposed to it. The reason why I stood behind that phrase "death tax" for so many years is because the only time that you could pay that tax, the only time, is on the death of a relative. And that's what makes it a death tax. You have to be accurate.
Retiring from cricket is not about form. I feel that the time is now and it's right. I've tried to give everything I have when I've played the game, the game goes on. You can't hold onto it and people shouldn't be too sentimental. I think a lot better players and greater players have gone, and the game has gone on and there are new players who take the mantle, and in my case it won't be any different.
I only want the truth to come out and the media cannot give me that. Media can't get me justice, only the court can give me that. So, I have been waiting for the court to take the decision and a lot of time has elapsed.
The power of network television is amazing. I've been performing for years but have been seen on only a few episodes of this show, and people spot me in public now all the time. They say, 'Hey, aren't you on 'Nashville'?' Most locals seem to really appreciate how authentic the show is.
There's an ancient bond that still exists today between horses and humans, it is even there with people that have never ridden a horse or been around horses. The horse is what settled the entire west. If it weren’t for the horse they’d probably be only a couple hundred miles from where they started. A lot of people don’t realize how much they owe the horse because it’s not so much a part of our culture right now as it used to be.
The real invasion of South Vietnam which was directed largely against the rural society began directly in 1962 after many years of working through mercenaries and client groups. And that fact simply does not exist in official American history. There is no such event in American history as the attack on South Vietnam. That's gone. Of course, It is a part of real history. But it's not a part of official history.
We tried to present the ordinary in an extraordinary manner. But that's the paradox because the only thing extraordinary about it was that it was so ordinary. Nobody had ever done it before, deliberately. Now it's called documentary, which I suppose is all right ... We just took pictures that cried out to be taken.
Give me the steady, uniform, unshaken security of constitutional freedom. Give me the right to be tried by a jury of my own neighbors, and to be taxed by my own representatives only. What will become of the law and courts of justice without this? The shadow may remain, but the substance will be gone. I would die to preserve the law upon a solid foundation; but take away liberty, and the foundation is destroyed.
What's great about documentary, it seems to me, is that it can be experimental filmmaking. You have a license to do a lot of diverse things under the umbrella of 'documentary.'
What's great about documentary genre, it seems to me, is that it can be experimental filmmaking. You have a license to do a lot of diverse things under the umbrella of "documentary."
A friend of mine had this idea a few years ago. We thought it would be a great way to promote the sport and to put polo in front of a lot more people in an unexpected place: the romance novel. There's a lot of people that care about those kinds of stories, especially women, and it would help people to know what the polo life is all about. It's not just what you see in the newspapers or on Pretty Woman. There's a lot more to it: the time spent in the barn, how much we love the horses, the relationship with the horses and with the family, etc.
I never thought much about success early on. I only thought about being a comedian - or just being in show business, is really more accurate.
The biggest change is that time just goes by so fast when you're on the road. It seems like it's only been a month or so since I've been back and it's already been more than half a year. I can't complain, though. I'm in a great spot right and it's up to me to take advantage of it while I can.
I miss the comedy of the '70s and '80s, like 'Only Fools And Horses' and 'Fawlty Towers,' so I'm glad I'm put in that category.
We're like pretty horses, and just as on horses, they mean to put blinders on us so we can't look left or right but only straight ahead where they would lead.
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