A Quote by David Javerbaum

I spent 11 years at 'The Daily Show,' and I learned everything there about how to write funny, how to write funny on topic. — © David Javerbaum
I spent 11 years at 'The Daily Show,' and I learned everything there about how to write funny, how to write funny on topic.
I was never funny. I'd be funny once a year at Christmas. I'd do impressions of how people talked and danced, but that stopped when I was about 11.
Every time you finish something ... you figure you've finally learned to write, right? Then you start something else and it turns out you haven't. You have learned how to write that story, or that book, but you haven't learned how to write the next one.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
There's always a source for humor [in politics]. If it's inappropriate to write about, if there's nothing funny about it, then it's not funny. So it sort of selects itself. It has to. And plus, often something that wouldn't be funny at the time is okay to make jokes about later.
When you're on a staff, it's not your job to write what you think is funny. It's your job to write what the person who created the show thinks is funny.
I am much more likely to care about someone trying to be funny and give them some credit for whatever he or she did that was remotely funny than I am to be mused by somebody declaring this isn't funny, that isn't funny, this sucks. If you want to write humor, you're going to have to get used to that.
I learned that you can't write a book in the margins of your life. I'd forgotten how much uninterrupted time it takes to write chapters, and how you have to push everything else aside and really focus.
I spent many years trying to write a lot like Ben Folds or John Lennon or Rivers Cuomo. I think that's healthy when you're learning to write and seeing how chords fit together and how songs take shape.
People are funny in like young adulthood, just like how people's musical tastes are cool, but it changes very rapidly. In five or ten years, I'll probably still be confident about what's funny but it probably won't be funny anymore.
I didn't know if I could be funny on stage or write a joke. But I saw that there are no rules. If you're funny offstage, you can figure out a way to be funny onstage.
The problem is that we live in an uptight country. Why don't we just laugh at ourselves? We are funny. Gays are funny. Straights are funny. Women are funny. Men are funny. We are all funny, and we all do funny things. Let's laugh about it.
I look at the world and I find the funny in it, because there's funny in everything. No matter how ugly it may be, there's a funny way to look at it.
I started out of course with Hemingway when I learned how to write. Until I realized Hemingway doesn't have a sense of humor. He never has anything funny in his stories.
I don't know how other people have a topic or have a goal when making a song, like, 'Let's write about this, or let's write about that.' It's kind of difficult for me. Personally, I like vibing out and freestyling.
How can you analyse what is funny? What's funny to one isn't funny to another... What's funny to you is a personal thing.
No one wants to read a story where I saw a cute puppy on the street and I petted it. I mean, that's not funny. I only write about the funny stuff.
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