A Quote by David Kassan

I sort of feel that the role of a portrait in society is to represent the sitters, we see paintings of Shakespeare and we believe that it is what he looked like, well maybe a little older, fatter and with a higher hairline. I guess it would be cool if the portraits that were painted really did look like the sitter or expressed some sort of emotion that gave the viewers in the future a sense of the sitter's pathos at the time it was painted.

David Kassan

Quote Topics

Believe Cool Did Emotion Expressed Fatter Feel Future Gave Guess Higher Like Little Look Looked Maybe Older Painted Paintings Pathos Portrait Portraits Really Represent Role See Sense Shakespeare Society Some Sort Time Viewers Well Were Would Would Be

Quote Author

David Kassan
American - Artist
Born: 1977

every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.

Oscar Wilde

A photographic portrait needs more collaboration between sitter and artist than a painted portrait.

Alvin Langdon Coburn

Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.

Oscar Wilde

I've always felt the portrait is an occasion for marks to happen. I've never viewed the portrait as about the sitter. Even when I go to the National Portrait Gallery, I'm not thinking about the sitter; I'm thinking about how the artist chose that color or that highlight. It becomes about the time, place, and context.

Toyin Odutola

I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.

Kara Walker

I would wish my portraits to be of the people, not like them. Not having a look of the sitter, being them.

Lucian Freud

As a boy, I used to look at reproductions of Rembrandt's portraits... the people in his paintings were so real I felt I knew them... It is his empathy for the sitter, combined with his enjoyment and dexerity in handling paint that captured my imagination then, and is what I am striving for still.

David Cobley

Some sitters don't engage with the process of having their portrait painted at all. They'll think it's a good opportunity to catch up with all their phone calls.

Stuart Pearson Wright

Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.

Susan Sontag

I've really been sort of focused on acting and I feel really lucky because great projects sort of keep coming my way. I guess the criteria that I look for, it gets increasingly difficult because when you have the privilege of working with someone like Diane [Keaton], it's kind of like, 'Well, where do you go from there.'

Mandy Moore

Among the things she said: "Women seem to possess all the natural gifts essential to a good portraitist ... such as personality, patience and intuition. The sitter ought to be the predominating factor in a successful portrait. Men portraitist are apt to forget this; they are inclined to lose the sitter in a maze of technique luxuriating in the cleverness and beauty of their own medium."

Whitney Otto

I have painted portraits that to me are almost photographic. I remember hesitating to show the paintings, they looked so real to me. But they have passed into the world as abstractions - no one seeing what they are.

Georgia O'Keeffe

Biblical higher criticism is preserved in the particular enclave of academic Christian scholarship and is thought to be too unfruitful to share with the average pew-sitter, for it raises more questions than the church can adequately answer. So the leaders of the church would protect the simple believers from concepts they were not trained to understand. In this way that ever-widening gap between academic Christians and the average pew-sitter made its first appearance.

John Shelby Spong

I think I'm just generally more interested in figuration than abstraction. I think that painting abstraction often feels like painting colors to me, whereas portraits always feel like something connected. I like the exchange, the collaborative aspect of sitter and subject for sure.

Hilton Als

I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.

David Kassan

All my forebears worked for a living. My grandfather painted portraits. My mother too. My aunt painted seascapes.