A Quote by David Kirsch

If you look at Jane Fonda's first tape, it's like, 'How to injure yourself to music.' — © David Kirsch
If you look at Jane Fonda's first tape, it's like, 'How to injure yourself to music.'
You know who helped me a lot? Jane Fonda. She said, Look at how many times I've been up and I've been down. So don't worry about anything.
I like all the old-fashioned icons. My friends are artists, so they make me up to look like certain people. I am more inspired by people like Jane Fonda or Brigitte Bardot - people who did something as activists.
I was struck with a bolt of distilled horror like I have never known before. Far worse than suddenly finding yourself walking through a prison cafeteria wearing Daisy Duke shorts and a Jane Fonda headband.
I would think somebody like Jane Fonda and her idiot husband would be terribly ashamed and saddened that they were a part of causing us to stop helping the South Vietnamese. Now look what's happening. They're getting killed by the millions. Murdered by the millions. How the hell can she and her husband sleep at night?
On May 7, a few weeks after the accident at Three-Mile Island, I was in Washington. I was there to refute some of that propaganda that Ralph Nader, Jane Fonda and their kind are spewing to the news media in their attempt to frighten people away from nuclear power. I am 71 years old, and I was working 20 hours a day. The strain was too much. The next day, I suffered a heart attack. You might say that I was the only one whose health was affected by that reactor near Harrisburg. No, that would be wrong. It was not the reactor. It was Jane Fonda. Reactors are not dangerous.
People who leave their cars on the street with tape covering their broken windows are obviously too trusting. I mean, when your car did have glass for a window, someone broke into it. How is tape any more of a deterrent? What are the thieves going to say? Ooh, that like looks like duct tape, we can't beat that. Let's look for one with scotch or masking.
I had invented my own system, my own way of making electronic music at the San Francisco Tape Music Centre, and I was using what is now referred to as a classical electronic music studio, consisting of tube oscillators and patch bays. There were no mixers or synthesizers. So I managed to figure out how to make the oscillators sing. I used a tape delay system using two tape recorders and stringing the tape between the two tape machines and being able to configure the tracks coming back in different ways.
Jane Fonda is someone who impressed me.
When I read the 'Dick and Jane' stories, I thought they were afraid they might forget each other's names because they always said each other's names - a lot. So if Jane didn't see the dog, Dick would say, 'Look Jane, look. There is the dog next to Sally, Jane. The dog is also next to mother, Jane. The dog is next to father, Jane.'
All credit to my mother who, despite having to look after eight children, always made time for exercise. She'd work out to Jane Fonda and later Kathy Smith and Cindy Crawford in between managing us.
I think Jane Fonda is to be admired for her stands.
It was a good experience working with Roger Vadim and Jane Fonda.
To me, the thing that has always ruined Jane Fonda is her voice.
My first impression of Jane Fonda was she is a queen. She is royalty. She walks into the room - any room - and has this presence about her that demands respect.
In retrospect, I went to Jane Fonda for literally everything. During Mermaids, we were staying in the same building, so she was right upstairs from me. I was in my first relationship, so I got all sorts of advice. She became famous in her late teens.
When Goldie Hawn wrote her memoirs, no one said Goldie Hawn was snitching. When Jane Fonda wrote her memoirs, no one said Jane Fonda was snitching.
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