A Quote by David Knopfler
The school was prone to dishing out punishments for anything creative that didn't fit with expectation - I just followed the logic and figured the folk club was probably much the same.
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I tried to talk to the graduates who haven't figured what they're going to do next. The kids who are heading in medical school or law school, they've got pretty much figured where they're headed in life. But there are so many kids out there, that are just going, they're still kids. They've always been promoted from grade to grade.
I used to go to the school folk club with my songs when I was only 13 or so and say "this is a traditional folk song" and sing it with a bad Irish accent to disguise the real source.
There was one point in high school actually when I was on the chess team, marching band, model United Nations and debate club all at the same time. And I would spend time with the computer club after school. And I had just quit pottery club, which I was in junior high, but I let that go.
I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
A great deal of the pupils time was spent going through, once again, the History of the Communist (Bolshevik) Party of the Soviet Union. He had learnt it at elementary school; at secondary school; at his sports club; at the Komsomol; at the university; at a folk dancing course; at the chess-club.
I grew up in a remarkable home, the middle of seven children. My parents raised us well. They loved us well. We laughed hard growing up. But being the middle child, I couldn't figure out where I fit in the home, whether I was the youngest of the older three or the oldest of the younger three. When you don't know where you fit inside the home and you're young and you're desperate to fit in somewhere, I'd figured where I would fit outside the home. So I made some bad decisions about who I hung out with, I dropped out of high school, got kicked out of the house.
All of us '60s pop stars came from old cities which had a jazz club, a folk club, a coffee house, and an art school.
School was hard for me. If there had been a school for the creative arts, I might have thrived, but... I needed that creative outlet so much. Also, I'm just bad with numbers.
If you go to business school, and you put a product out there in the world, and it's working, the logic is to keep putting the same product out there. And I think that really bumps up against the creative process - and moviemaking, generally. And I think that our company really pushes against that.
I was actually the head of the violin after-school club. And then I was also the head of the dance club, the popping club. So one day, just by coincidence, we had to hold the two clubs at the same time. I had to go back and forth. And that's when the idea came up for dancing and playing violin at the same time.
I started to develop my comedy skills when I became resident singer at the Boggery Folk Club in Solihull. My career blossomed from there, and I became a big draw on the folk-club circuit.
I loved logic, math, computer programming. I loved systems and logic approaches. And so I just figured architecture is this perfect combination.
I always tried so hard to fit in, and then I figured out that I didn't want to fit.
When you don't know where you fit inside the home and you're young and you're desperate to fit in somewhere, I'd figured where I would fit outside the home. So I made some obviously bad decisions about who I hung out with and the things that I did.
I grew up an only child, and I always felt as if I didn't fit in. In middle school, in grammar school, and even high school, I just didn't feel like I fit in.
I just feel like in society and in public, we have this unspoken expectation that we're all trying to meet. And there's so much pressure to try to fit in.
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