A Quote by David Krumholtz
The rest - all the hoopla, the acclaim - doesn't really matter a lot to Joel and Ethan [Coen]. They just want to get the chance to continue to work. And that blew my mind. To be at that level and to have that humility, it was eye-opening and inspiring.
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It looks glamorous and wonderful, but it's a job like any other. And I think that's their humility coming through, Joel [Coen] and Ethan's [Coen] humility. I think they really believe they are tradesmen, craftsmen, and they're just pursuing their trade, their craft, and doing the best they can with it.
One of the things I love about Joel and Ethan Coen's movies is that there is this element of the ethereal and the mythic that they play with.
In the numbing hands of pretentious filmmakers Joel and Ethan Coen, history does not repeat itself in any way whatsoever.
I've been lucky enough to work with a make-up artist, Joel Harlow, who you can throw anything at. I said, "Joel, I need to go to the London eye with my children and I want to look like a roadie from Lynyrd Skynyrd."
I just work and continue to do whatever I can do to get to the highest level I can get. If that's an All-Star? Sure, I'll take it. But I don't have my mind set on that.
There's so many guys skiing so fast right now that you really have to be willing to take a lot of risks if you want to give yourself a chance to win. I'm prepared to do it; it's just a matter of if I can make it work.
In fact, one of the funny stories from that set [of Hail, Caesar!] is we were shooting my scene, and around lunchtime, Terrence Malick shows up on set. He was uninvited and no one knew who he was. But I knew, just looking at him. I was like, "Holy moley, that's Terrence Malick!" So I went and told the PA, "Hey, Terrence Malick is here, and I think he wants to see the Coen brothers. He wants to talk to Joel and Ethan." He just showed up unannounced, uninvited, and I guess they spent their lunch hour with him.
Claire Danes in 'Homeland' just blew me away. She is so intuitive, and her choices are so unique. When you see somebody like that work, you just have to stop in your tracks. It is a lesson in what good acting really is, and it is so inspiring to be around.
I really just want to encourage and inspire people to use their freedom in a positive way and in a way that is inspiring to other people. I want to continue to pass down the seeds of change within the world. I think that it can start with just one person. Just like a rumor can get carried on, so can inspiration.
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
When you work in television, working for a big corporation, no matter who you are, you can always get cancelled. That sucks. Do you really want to work with an axe over your head for the rest of your life? Not me, not really, and not if you don't have to.
That's happened a couple times: Billy Joel. It was just, "You sound like Billy Joel." And I get really upset about that. No offense to that guy, but it's not for me.
I really don't work a whole lot as far as touring, but I do stand-up every night of my life, no matter where I am. It's really made the touring a lot less grueling. A lot of people get to this level and they're like, Now I do four cities in one week and they tour nonstop. I'm like, No, that sounds miserable. I'll just do two weekends a month. But whenever I'm in some awful place geographically, it's no longer that awful, because you've got the Internet and television.
What you have to remember, when you get to the level of seeing 10,000 people a night, is that they've all paid to have a performance. I need to make sure that they get their money's worth. I don't want to be going on stage and saying, "I'm just going to try some stuff and if it doesn't work, it doesn't matter," because it does matter.
I don't believe in a lot of things from the Bronze Age, but an eye for an eye does make a sort of symmetrical sense to me. I really believe that if somebody takes a life, that [death penalty] is what they should get. I also think it's a lot more humane than keeping people in a cage for the rest of their life.
A lot of the time, you see all this ambition from these black actors, and it's just pouring off the screen. Because they don't often get a chance to work, and when they do, they don't usually get a chance to work with other black people.
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