A Quote by David Krumholtz

There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom. — © David Krumholtz
There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom.
I wouldn't consider myself a traditional sitcom actor or someone you'd even think would be in a sitcom.
This is how it works You're young until you're not You love until you don't You try until you can't You laugh until you cry You cry until you laugh And everyone must breathe Until their dying breath No, this is how it works You peer inside yourself You take the things you like And try to love the things you took And then you take that love you made And stick it into some Someone else's heart Pumping someone else's blood And walking arm in arm You hope it don't get harmed But even if it does You'll just do it all again
You can say "ass," but you can't say "asshole." That's why I always cringe when a character in a TV show refers to someone as an "ass." Unless you're British, calling someone an ass really doesn't work. But those are the rules of television. You can be a dirtbag, but not a scumbag.
I've always found a cornucopia of roles open to me. Wait--did I just say cornucopia? I think I meant plethora.
Don't do anything by half. If you love someone, love them with all your soul. When you go to work, work your ass off. When you hate someone, hate them until it hurts.
Potential is just potential until you can pull it off, and you need to show up ready to exercise the plan in mind. I've always come from that place in everything I've ever done.
What makes 'Derek' a different kind of sitcom - if it is even a sitcom - is its sincerity.
Home is where your ass is and if you want to move you move your ass the first step is learning to change homes with someone else and have someone else's ass.
The Frenchman works until he can play. The American works until he can’t play; and then thanks the devil, his master, that he is donkey enough to die in harness. But the Englishman, as he has since become, works until he can pretend that he never worked at all.
I had a dream once. I wanted to do a line of cocaine off a hooker's ass. That's when I realized, 'Hey, I'm freakin' Zach Braff.' I did it the next morning.
'Caroline In The City' was such an interesting thing, because I'd never been on the set of a sitcom or even auditioned for a sitcom when they gave me that part.
I'd never done a sitcom until the 'Michael J. Fox Show.' I'd never even guest starred in one until then. So it was definitely a learning curve, which is what I wanted. I wanted to do something new, to challenge myself.
In my twenties, I thought it was getting a sitcom. Then I got a sitcom pilot in my early thirties, and realized I didn't want it. It was a rude awakening. When it wasn't picked up, I was crushed, but then in retrospect I've made two films and produced three one-man shows since then. It's the luckiest thing that happened in my life.
Louis CK went from a writer/comedian to winning Emmys for his own show because he works his ass off.
86% of its audience was made up of people of color. That tells you that the full potential of many black stars won't be realized until their audiences are fully integrated.
In Mexic,o the concept of a sitcom doesn't actually exist - even if you do a sitcom, technically speaking, because it airs from Monday to Friday, they put it in the telenovela category. But, of course, I am from Mexico and grew up with the telenovela culture.
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