A Quote by David L. Wolper

Why is it that if you hit a shot to within a tenth of an inch of the hole, it's a great shot, but if it goes in, it's luck? — © David L. Wolper
Why is it that if you hit a shot to within a tenth of an inch of the hole, it's a great shot, but if it goes in, it's luck?
I realize that's why we play golf, to hit the ball into the hole. But it is a strange feeling when you hit the shot and it actually goes in.
A shot that goes in the cup is pure luck, but a shot to within two feet of the flag is skill.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
He knows all the golf lingo. You know? You hit your ball, he's like "there's a golf shot. That's a golf shot." Well of course it's a golf shot; I just hit a golf ball. You don't see Gretzky skating around going "there's a hockey shot, that's a hockey shot."
Hole in One: an occurence in which a ball is hit directly from the tee into the hole in a single shot by a golfer playing alone.
As every golfer knows, no one ever lost his mind over one shot. It is rather the gradual process of shot after shot watching your score go to tatters - knowing that you have found a different way to bogey each hole.
The difference between a good shot and bad shot can be an inch to the left.
I plot the par 5s back from the green and make my plan. If I can reach the green in two shots, I'm going to be aggressive off the tee. But if 's a three-shot hole, the goal changes. You want to put yourself in position to hit your favorite shot to the green.
If you hit a bad shot, just tell yourself it is great to be alive, relaxing and walking around on a beautiful golf course. The next shot will be better.
I won't play an 18-hole practice round unless I'm playing for something. That goes for when I'm at home, too. It doesn't have to be for much, but it has to be for something, because I want to hit every shot like it matters.
I'm sure you have a hole at your course where you love to hit the tee shot. You can't wait to get up there and bomb away because the fairway is wide, or the hole always plays downwind.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
I don't know how many times I've been 114 yards from the hole and made double bogey. Well, I hit a great drive, but it doesn't matter. It's only the next shot that matters.
There's things that you just couldn't do with an optical printer. Now, with digital compositing, most of the energy that goes into a shot goes into the aesthetic issues of, 'Is it a good shot or not?'
And I think before I was so focused on speed or I was so focused on trying to hit this great putt that I just wasn't reacting to what I was doing. I react when I hit an iron shot, why can't I do that when I'm over the putter?
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