A Quote by David L. Wolper

You have to say, 'We think it's going to work. Let's go with it.' Either you're going to kill the world, or you're going to fall on your rear end. — © David L. Wolper
You have to say, 'We think it's going to work. Let's go with it.' Either you're going to kill the world, or you're going to fall on your rear end.
It's crazy. I don't know how I'm not dead. People think I'm going to get punched in the face: "Something terrible is going to happen to you. You're going to get killed." That's not what's going to kill me. The show is going to kill me. The work is going to kill me. Once I'm on the street, I'm not worried about that.
Oh, I am heartily tired of hearing about what Lee is going to do. Some of you always seem to think he is suddenly going to turn a double somersault, and land in our rear and on both of our flanks at the same time. Go back to your command, and try to think what are we going to do ourselves, instead of what Lee is going to do.
You're not always going to hit the bull's-eye. I'm going to make movies that work and I'm going to make movies that don't work, and that's just a part of being creative. Because really, I think if you're taking risks and you're pushing yourself and you're doing things that scare you, you are going to fall on your face, and it's not always going to work.
And you get into that sort of cannibalistic feeling - all you want to do is go out there and, like I say, kill somebody. I'm going to get him. I'm going to kill'em. Not like you are going to put them into the ground after, but you just want to kill a guy.
So, yeah, I'm going to try to win the national championship next year. But I'm not going to kill myself doing it. I'm not going to kill my players either. You really start to realize there's a lot more to what we're trying to do then winning games
As soon as you hear a fighter say, "I'm working smarter, not harder," you always want to bet against that guy. That mentality does not work. You have to work hard. And sometimes that means you are going to work too hard. You are going to decline. You are going to tear down your body and your muscle fibers. You are going to get sick.
The world should have stopped, but it didn't. The world kept on going. How can the world just keep on going? An earthquake in India kills a thousand people, and the world keeps on going. A famine in China kills a million people, and the world keeps on going. The twin towers of the World Trade Center buckle and fall, and the world, the world keeps on going.
I knew David Lynch going to television was going to be something. It was either going to not work, nobody was going to get it and it would disappear, or it was going to be something special and really stand out.
Hiding is not an option and you're going to step out and you're going to make mistakes. I'm going to look stupid. I'm going to say things I want to retract. I'm going to sing notes I wish I could have back, there's just no getting around the stumble, but if you stumble enough times you're going to fall off the edge and have no choice but to freakin' fly.
I think what you are seeing is Donald Trump is making an amazing first trip. He's going to Saudi Arabia, he's going to Israel and he's going to Rome. Think about that - three of the strongest religions. He's going to go together, talk to all of them. And his message is going to be about unity. He is going to show what American leadership looks like, because those are areas of the world that have questioned it.
As a coach, they would love to sit there and say, 'It's going to be five steps, you're going to hitch up into a perfect pocket, you're going to look at number one - no; you're going to go to number two - no.' It doesn't work that way.
I'm a little bit of an eternal optimist. People always say to me, 'If you go do this and it fails, what are you going to do?' I don't care. I'm going to give it my best shot. That's what I'm going to do. If it doesn't work, it doesn't work. And I'll try again.
By not foretelling the ending to yourself, as a writer, you're able to open up the canvas and say, "I'm going to go here. I'm going to go there." It's just a little bit more freeing than a stand-alone procedural, where you work backwards from the end.
I'm not going to be that kind of a fighter. I'm going to dance and be pretty. I'm just going to win on points.And if I hurt my man I'm going to let him go and I'm not going to kill him just because somebody's watching.
My advice would be to look at the things you do to make money as ways to inform your work in the end. If our work is to study the human condition, most humans that we are going to be playing aren't going to be artists, so go out and, as I did, learn what it's like to have a 9-to-5 job... Think of it as character study.
At the end of the day, if you look where The Shield was, where else are we going to go? Are we going to share the WWE World Heavyweight Championship? I don't think so.
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