A Quote by David L. Wolper

I believe a mini-series has two audiences. The first is the media. Then I go for the television audience. — © David L. Wolper
I believe a mini-series has two audiences. The first is the media. Then I go for the television audience.
In the mini-series area, we are going to have a regular year-round, weekly presence on Encore of classic mini-series and a new mini-series that we are bringing. For the time being, I think the home of mini-series will be on Encore.
It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."
That's the definition of a mini-series. A mini-series is a show that has no continuing story or narrative elements between one group of episodes and another, so no, I wasn't surprised.
People want to evolve the idea of the word "mini-series." Mini-series has an '80s connotation to it.
They make about three mini-series a year in Australia and then they put two of them up against each other!
I've played the leads in two British TV series. I've done a bunch of mini-series. Everybody in Australia is a bit in awe of BBC. I've worked for there, and that was a great experience.
'Shogun' was a mini-series, so even though it went on television, we filmed it like a movie.
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
We were all expecting to finish [Downton Abbey] after Series 1, actually. And then, it got extended to Series 3, and that's when two of our much loved and much missed friends left. And then, it was going to be done with Series 5, but Julian Fellowes said, "I'd like to do one more." So it's been a series of extensions, rather than wondering how much longer we can go on for.
When I go back to any of the mini-series or series that I've done, the heart and soul of the show always centers around how the people that we love are affected by our decisions.
I'm the first social media star cast as a regular on a Disney Channel series, and I think I'm the first one under 25 from social media to become a series regular.
We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.
There have been several television movies, 'Carrie 2,' two musicals! I remember thinking, the first time there was a musical on Broadway, 'Oh my gosh! The people who ordinarily go to the theaters, that's not really the audience.'
The show originally started out as a ten hour mini-series. We shot two hours and then were excused for a while, for no apparent reason. Things went very quiet for a time and then a few months later we were called back and told that it was going to be a full season.
When the people perceive that the print media is reporting what they believe is correct, then they tend to read the print media and to follow news on the television.
In the olden days films used to become huge hits because of family audiences. But nowadays certain films cater to youth audience and once that is exploited then the film stops. and some films are for a mature audience. My aim is to satisfy all the sections of the audiences.
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