A Quote by David LaChapelle

I shoot fantasy. If you want reality, ride the bus — © David LaChapelle
I shoot fantasy. If you want reality, ride the bus
The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.
When you screw up, you got to pay the price. Shoot up a supermarket, you go to jail. Ride a motorcycle without a helmet, permanent brain damage and in California you're getting a ticket. Too chatty on a date with my dad, well, he'll push you in front of a cross town bus. Of course, you know, I'm speaking metaphorically. My dad will push you in front of any bus.
See fantasy is what people want, but reality is what they need. And I just retired from the fantasy part.
The bus ride to the arena... I slipped on my Discman and listened to some of my favourite music, all the while imagining myself on the ice. Visualization and imagery are very important in figure skating, or any sport for that matter. This is where you see yourself in your mind performing in front of an audience and judges. I also imagine how I am going to feel during the performance. During the bus ride, I pictured myself skating a perfect program.
I want to ride my bicycle bicycle bicycle; I want to ride my bicycle; I want to ride my bike; I want to ride my bicycle; I want to ride it where I like...; I don't believe in Peter Pan, Frankenstein or Superman; All I wanna do is bicycle, bicycle, bicycle...
Lots of people want to ride with you in the limo, but what you want is someone who will take the bus with you when the limo breaks down.
You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.
[Chickens] are very frenetic. So if you think about it and you look back in other movies, like if someone's taking a crazy bus ride somewhere and it's like, 'Oh, what makes this bus ride crazy?' There's a chicken in the aisle, or like there's a chicken in a crate. So I just think the presence of chickens makes things crazy.
The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.
Mama, I know you used to ride the bus. Riding the bus, and it’s hot and bumpy and crowded and too noisy, and more than anything else in the world, you wanna get off. And the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going. Well, I can get off right now if I want to. Because even if I ride fifty more years and get off then, it’s still the same place when I step down to it. Whenever I feel like it, I can get off. Whenever I’ve had enough, it’s my stop. I’ve had enough.
What is appealing is the idea of attaining the unattainable and learning from it. Once you obtain a fantasy it becomes a reality, and that reality is not as exciting as your fantasy. Through the fantasies you learn to appreciate your own realities.
If you want reality take the bus.
Speaking of childhood fantasy, we were doing a Western, but we were also just hanging out. You work, and you ride and ride and ride, and then, for the next two hours, you look for a place to kick out, in this amazing canyon with so much heritage and so much history.
All entertainment is an element of fantasy because you are seeing something that is not quite real. There is no such thing as reality TV. Reality TV would be to leave a camera on in front of someone's house. Just leave it on. Then whenever the person comes or goes walking the dog or getting groceries, that's what it would be like. Any time you make an edit, you've lost reality TV. You're either compressing time or extending. That's a term that's been overused and overexposed. I think it's fantasy movies that take the fantasy of movies even further.
Reality and fantasy, we need both of those to survive. If we don't have fantasy, dreams and all of those things, what's the point of carrying on? And you need to watch out for reality because buses come.
In the Negro Leagues, we'd play three games a day on the weekends. Then we'd ride the bus and travel to play the next day someplace else. You'd hang your shirt out the bus window to dry.
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