A Quote by David LaChapelle

You just do what you love, and then a style happens later on. — © David LaChapelle
You just do what you love, and then a style happens later on.
Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.
You know that one don't play music just for the hours to pass. But you play music because you are in love with music and luckily if it happens that people like what I'm proposing, then I'm happy. Although music is business, yet you don't start thinking about money from the initial stages when you are in music. First propose to the people what they want and if they like it, then the money comes later.
Love represents a lot of things. You can be in love with someone, you can be in love with something. You don't know why you love something so much, you just do. You gravitate towards it and then you figure it out later.
Going to college was a very necessary step in order to have my formative years, which for everybody kind of happens in their teens, but for gay men that don't necessarily come out until later in life, it kind of happens a little later.
I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
I went out to Bali, and I cast all of these supporting roles. I love that stuff. I just love actors. And then, Ryan Murphy asked me to direct second unit for him on Eat Pray Love. I was already booked on something else, but I joined them later. And then, I wrote him a thank you email and I got no response. I was like, "Okay, that's it." We didn't interact much on set either.
Everything is just make believe. They're just different versions of make believe. I love the period of this movie [The Finest Hours]. I love the '40s. I love the '50s. I love the style of the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the lights and the cars. I'm in love with all of it.
Gardening is not my thing. You're digging in the dirt, and then a couple of months later, something happens.
I became a big Kings fan, and then later on my hometown of Ottawa got a team, so then I was very, very torn. I just love both of those teams very much.
I will never stop loving you. No one can change that. No matter what happens later, I’ll still love you.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
My theory is that you find out who your true friends are when something good happens to you, not when something bad happens to you. Everybody loves you when something bad happens to you. Then you're easy to love.
He never chooses an opinion; he just wears whatever happens to be in style.
And that's how I wrote to NICAP, but then later, just very soon after that, like three weeks later, we started getting phone calls from government agents.
I will just say, appropriation is an intellectual idea until it happens to you. It's a philosophy, and it's got its own intellectual framework. Then there's what happens when it's your photograph. Then it's personal, and that's all I'll say.
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