A Quote by David Lagercrantz
I write best when I sort of collide myself with another man. So I think, I hope, that a combination of me and Stieg Larsson will create something good.
Related Quotes
I'm keeping my day job, because Poptropica is something that really energizes me. I'd love to create a TV series or write a film that's not in the 'Wimpy' universe, but I know it will be difficult to create something from scratch. But I love creating good comedy for kids, so I hope to have another successful venture in the future!
I was so obsessed by Lisbeth Salander and all the characters, but of course if you're going to write a crime novel worthy of Stieg Larsson, you need a plot, don't you?
You have to search for the best writer - I'm not saying I'm the one, but it's a bad idea to just find the person who is a copycat of Stieg Larsson.
I am not a political writer. I agree with Stieg Larsson and Henning Mankell, who are social writers. I can't write in that fashion. I am not good enough for that. What I am interested in is family dramas and why we are doing bad things to each other and what our motives are.
The pace of Swedish crime fiction is slower - Stieg Larsson's the exception. And I think we use the environment more.
I know I don't want to be Stieg Larsson my whole life.
I think Stieg Larsson was pretty brave. He wanted to bring up things that we don't like to talk about, or like to ignore.
I think the power of Stieg Larsson's stories is that he has the guts to show the hidden spots in the side of Sweden. That gave us a push to say that for the first time. That they can't have with the American version.
But I'll never write another Missing You' again as long as I live. I hope that I'll write a good song, but I don't think that I'll be able to write another song that will reach people that much.
I feel more related to some American crime writers than I do to Stieg Larsson.
What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is... 'Why?'
Part of the brilliance of Stieg Larsson's books is that they are so complex, so many different facets coming together.
As for myself: I had come to the conclusion that there was nothing sacred about myself or about any human being, that we were all machines, doomed to collide and collide and collide.
To a great extent, I still write for myself, write what amuses me. Fortunately, I have a quirky sort of strange sense of humor that appeals to other people and that's good. I still sort of write for myself though there are some areas of the book I feel I have to put in and I feel I have to deliver.
I said from the start I had to be trustful of the Millennium universe. It was not going to be a Stieg Larsson book, but my interpretation of his iconic characters and universe.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
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