A Quote by David Lagercrantz

I know I don't want to be Stieg Larsson my whole life. — © David Lagercrantz
I know I don't want to be Stieg Larsson my whole life.
I feel more related to some American crime writers than I do to Stieg Larsson.
Part of the brilliance of Stieg Larsson's books is that they are so complex, so many different facets coming together.
You have to search for the best writer - I'm not saying I'm the one, but it's a bad idea to just find the person who is a copycat of Stieg Larsson.
The pace of Swedish crime fiction is slower - Stieg Larsson's the exception. And I think we use the environment more.
I was so obsessed by Lisbeth Salander and all the characters, but of course if you're going to write a crime novel worthy of Stieg Larsson, you need a plot, don't you?
I write best when I sort of collide myself with another man. So I think, I hope, that a combination of me and Stieg Larsson will create something good.
I think Stieg Larsson was pretty brave. He wanted to bring up things that we don't like to talk about, or like to ignore.
I said from the start I had to be trustful of the Millennium universe. It was not going to be a Stieg Larsson book, but my interpretation of his iconic characters and universe.
I think the power of Stieg Larsson's stories is that he has the guts to show the hidden spots in the side of Sweden. That gave us a push to say that for the first time. That they can't have with the American version.
I am not a political writer. I agree with Stieg Larsson and Henning Mankell, who are social writers. I can't write in that fashion. I am not good enough for that. What I am interested in is family dramas and why we are doing bad things to each other and what our motives are.
What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is... 'Why?'
I know I want to work for my whole life because I know I can't live without music or dancing. But I don't know if I want to be a big star.
The worst part is that I saw the whole thing -- our whole life. And I want it bad, Jake, I want it all. I want to stay right here and never move. I want to love you and make you happy. And I can't, and it's killing me.
People always talk about Ronaldinho, and everything but I didnt see him today - I saw Henrik Larsson. Two times he came on - he changed the game, that is what killed the game - sometimes you talk about Ronaldinho and Etoo and people like that, you need to talk about the proper footballer who made the difference and that was Henrik Larsson tonight
I want to show all sides of myself. I mean, I don't want to howl at the moon my whole life, you know?
My whole musical life has been an educational process, and I'm just furthering my education and filling in the blanks. There's stuff that I want to know that I don't know.
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