A Quote by David Lagercrantz
You have to search for the best writer - I'm not saying I'm the one, but it's a bad idea to just find the person who is a copycat of Stieg Larsson.
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I am not a political writer. I agree with Stieg Larsson and Henning Mankell, who are social writers. I can't write in that fashion. I am not good enough for that. What I am interested in is family dramas and why we are doing bad things to each other and what our motives are.
I write best when I sort of collide myself with another man. So I think, I hope, that a combination of me and Stieg Larsson will create something good.
I know I don't want to be Stieg Larsson my whole life.
I feel more related to some American crime writers than I do to Stieg Larsson.
Part of the brilliance of Stieg Larsson's books is that they are so complex, so many different facets coming together.
The pace of Swedish crime fiction is slower - Stieg Larsson's the exception. And I think we use the environment more.
I was so obsessed by Lisbeth Salander and all the characters, but of course if you're going to write a crime novel worthy of Stieg Larsson, you need a plot, don't you?
I think Stieg Larsson was pretty brave. He wanted to bring up things that we don't like to talk about, or like to ignore.
I said from the start I had to be trustful of the Millennium universe. It was not going to be a Stieg Larsson book, but my interpretation of his iconic characters and universe.
I think the power of Stieg Larsson's stories is that he has the guts to show the hidden spots in the side of Sweden. That gave us a push to say that for the first time. That they can't have with the American version.
What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is... 'Why?'
As long as you're being a copycat, you will never be the best copycat.
To say that a writer's hold on reality is tenuous is an understatement-it's like saying the Titanic had a rough crossing. Writer's build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.
People, especially the liberals, just live in this world where if anything is said that offends anybody even a little bit, not only does that person have to apologize; sometimes they have to go away forever. Go away, bad person. My analysis of this is that most of us don't do anything decent in our life. I'm not saying we're evil. I'm just saying we don't make a contribution, so the way they [liberals] think they're making a contribution is to point at the bad people [which] is somehow even more pathetic.
I'm not saying pot is a bad thing. I know plenty of people who should be smoking pot. I'm just not one of those people. I don't think it would be the best drug for me. What am I going to do, start doing drugs at my age? It's a little late. I'm a mother of two. It's probably not the best idea for me to start getting into it now.
Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.
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