A Quote by David Lauren

We are ambassadors of American style, but we're in awe of British style. — © David Lauren
We are ambassadors of American style, but we're in awe of British style.
The old style of British wrestling is a lot different than the American style, and that's what I was trained in. It's a lot more technical; it's something that even someone that young has the capacity to start learning.
Style to me is incidental. The British are very adept at creating it for its own sake, but the best style is incidental. John Coltrane had a style but it was totally incidental to what he was.
I'm getting comfortable with West Coast style, which is more laid-back than British style.
A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
My style is raw; my style is '95. My style is what I live. My style is my story.
The difference between the American version of 'Live Aid' and the British one - in England, if you wanted a cup of tea, you made it yourself. If you wanted a sandwich, you bought it. In typical American style, at the American concert, there were laminated tour passes and champagne and caviar.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
The North American intellectual tradition began, I maintain, in the encounter of British Romanticism with assertive, pragmatic North American English - the Protestant plain style in both the U.S. and Canada, with its no-nonsense Scottish immigrants.
A design style is defined by a set of microdecisions. A clear style reflects a consistent set. A clear style may not be a good style; a muddled one never is.
I think style is being so comfortable and confident in what you're wearing. That's what style is, 'cause everybody's got different style.
The science of style as an organ of thought, of style in relation to the ideas and feelings, might be called the organology of style.
If you can change style, why stick to one style? Style is a vanity because it gives you product identification.
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