A Quote by David Lauren
I want people in their 20s to think of 'Swing' the way a generation in the 1960s thought of 'Esquire' - as the voice of young thinkers.
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I don't really picture myself picking up a bunch of new young fans, but there's a young generation in hip-hop that I think can use their voice in a more positive way and still be dope. And, if I can show them a way to do it, I think that would be great.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
We want to end poverty and protect our environment. But we think the most efficient way of achieving that is to change the way a generation of young people is educated. That's how you'll shift the world.
When you listen and read one thinker, you become a clone… two thinkers, you become confused… ten thinkers, you’ll begin developing your own voice… two or three hundred thinkers, you become wise and develop your voice.
Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
I feel bad for young people. The 20s are a nightmare also. The 20s are hard to do.
I've always swung the same way. The difference is when I swing and miss, people say, 'He's swinging for the fences.' But when I swing and make contact people say, 'That's a nice swing.' But there's no difference, it's the same swing.
The 1960s was probably the first time in history that young people were recognized as a big group of consumers and as a commercial proposition for Madison Avenue. Advertising played a major role in creating the ethos of that era - the idea that, "Here it is, and you can have it now." I know that many kids thought that the ethos of the 1960s was due to their own peculiar virtues, but, in fact, it had a lot to do with the realities of the marketplace and commerce.
I want to see young people in America feel the spirit of the 1960s and find a way to get in the way. To find a way to get in trouble. Good trouble, necessary trouble.
When I think of the limitless potential my young daughters, Grace and Brynn, will have as they grow into young women, I want my girls' generation to remember the strength, determination, and struggles of the women who came before them and paved the way.
Young people, particularly in their teens and 20s, are not consuming sports the way my generation did. They are doing lots of things; they are multitasking. They are getting downloads; they are getting alerts on their computers or on their cellphones, and they are consuming sports in a more real-time but less full-time basis.
I think we want our kids to grow up to be people who can think outside of the box, be creative and innovators, sort of the forward-thinkers of our future. I think a way to inspire that is through art and music.
We're not encouraging idols other than on the TV show, you know and that's the wrong way to do it. If we had become famous from a contest show we'd be embarrassed in my generation. But if that's the benchmark then I thought well young people who want to be filmmakers, or musicians, or whatever are screwed. But maybe they're not because what they're doing is they're creating their own thing.
I meet young people everywhere who are wonderful and faithful; youth who want to do the right thing and who indicate the reality of what I have been saying for a long time, that we've never had a better generation of young people in the Church than we have today. They are faithful. They are active. They're knowledgeable. They are a great generation, notwithstanding the environment in which many of them are growing up.
Our advanced and fashionable thinkers are, naturally, out on a wide swing of the pendulum, away from the previous swing of the pendulum.... They seem to have an un-argue-out-able position, as is the manner of sophists, but this is no guarantee that they are right.
I think that when I was in my 20s, I wanted to go after dramatic roles, and I didn't have a tremendous amount of success with that. I kind of backed my way into comedic parts. When you're young, you kind of take yourself seriously, and you think, like, 'People need to see what I can do.' And it's so laughable, especially with actors.
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