A Quote by David Lee Roth

Radio as we know it is pretty much changing completely. — © David Lee Roth
Radio as we know it is pretty much changing completely.
I think people who say radio is gone or radio is irrelevant are way off the mark. It's still by a huge degree the dominant medium. I know it's changing but radio is still incredibly important.
The radio's pretty much always on, and I also listen to some American podcasts, such as for 'National Public Radio' and 'Newsweek'.
We completely deny the existence of a self-existent I, or a permanent, independent soul. Every aspect of your body and mind is impermanent: changing, changing, changing.
The first time I started choreographing was in the dark, in my living room, with the lights completely out, to some popular music on the radio. I put the radio on full blast and I started moving. I didn't know what it looked like. I didn't want to see it... I had to start in the dark.
'Black Radio' was pretty much a jam session.
Except for talk radio, liberals pretty much control the culture.
People's view of exotic or Asian women are changing. It's much nicer to hear 'She's pretty' than 'She's pretty - for an Asian woman.'
People's view of exotic or Asian women are changing. It's much nicer to hear 'She's pretty' than 'She's pretty - for an Asian woman.
Radio was always a fun, geeky thing to be a fan of - the history of radio, where it is, and where it's going - but it was really also a pretty easy job.
There's only a handful of people I trust completely, and I know who they are. Other than that, I pretty much don't trust people.
The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.
I just keep my ear to the street. I haven't read any music books recently, because I figure I read everything I need to know back when I was 12, 13 years old. I know pretty much everything about record publishing, radio stations. The only thing that's changed is you gotta keep up with social media. It's free promotion.
My input for the first 16, 17 years of my life was AM radio, FM radio - pretty mainstream stuff. Rolling Stone was probably as edgy as it got.
People often lump radio and television together because they are both broadcast mediums. But radio, anyway, and the radio I do for NPR, is much closer to writing than it is to television.
I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.
Well over fifty years ago I was making radio loudspeakers and radio sets in Rochester, New York; pretty young and inexperienced; but we survived the depression.
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