A Quote by David Lehman

There is an air of last things, a brooding sense of impending annihilation, about so much deconstructive activity, in so many of its guises; it is not merely postmodernist but preapocalyptic.
I would like to break out of this "dark, brooding" image, cause I'm actually not like that at all. In Ireland, brooding is a term we use for hens. A brooding hen is supposed to lay eggs. Everytime somebody says "He's dark and brooding" I think: "He's about to lay an egg".
We live in an age disturbed, confused, bewildered, afraid of its own forces, in search not merely of its road but even of its direction. There are many voices of counsel, but few voices of vision; there is much excitement and feverish activity, but little concert of thoughtful purpose. We are distressed by our own ungoverned, undirected energies and do many things, but nothing long. It is our duty to find ourselves.
I was in the studio so much, it was about the search for air in a metaphoric sense, and the breathing has more to do with travel for me, about the search musically for open air.
I don't shape trends, I'd say. I merely reflect them. I think the emphasis is on 'them.' I like variety in poetry. I love how it comes in so many guises. As rock lyric, as rap, as note on a fridge.
Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.
Indeed there are many competent people who are plagued by a sense of inefficacy, and many less competent ones who remain unperturbed by impending threats because they are self-assured of their coping capabilities
It must inquire not merely about the circumstances of the time in general, but in particular about the writer's position with regard to these things, the interests and motives, the leading ideas of his literary activity.
It was the last that remained of a past whose annihilation had not taken place because it was still in a process of annihilation, consuming itself from within, ending at every moment but never ending its ending.
I just look at it as a real group activity when you are making movies. There are so many different artists doing so many different things, and they are all interconnected. So I like to see what everybody else is going to bring to the table before I make up my mind too much about anything.
'Air' is very placeless - it's set in many different countries, and much of the story is about going places rather than being places. 'Air' is about travelers, and I'm a chronic traveler.
I'm sentimental about many things: the lumpy feel of a baby's unused feet, the metallic smell of the air before the first snow, the last scene in 'It's a Wonderful Life.' But Valentine's Day leaves me cold.
I like the brooding man - a brooding man with a sense of humor.
Depth of understanding involves something which is more than merely a matter of deconstructive alertness; it involves a measure of interpretative charity and at least the beginnings of a wide responsiveness.
There are not anywhere else so many ways of trickery, so many false lights, so many veils, so many guises, so many illusive deceits, as are practiced in every man's conscience in respect to his motives, thoughts, feelings, conduct, and character.
It makes no sense to worry about things you have no control over because there's nothing you can do about them, and why worry about things you do control? The activity of worrying keeps you immobilized.
I seem to be attracted to the quiet, brooding type. But not too brooding. Too brooding can be narcissistic. Or psychotic.
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