A Quote by David Leitch

Some actors have an affinity for dance, and they should explore it, train in it, and get good. — © David Leitch
Some actors have an affinity for dance, and they should explore it, train in it, and get good.
An awful lot of actors who are considered very good actors are not very good actors. There are people who just strike gold, they have intrinsic talent, but the point is that if they did train, it would not inhibit them. If they were with a good teacher, it would only broaden them more.
I was told that I was good in my dance movement classes and that I should concentrate on dance because it would enhance my ability to get acting work.
It was a huge zoo, spread over numberless acres, big enough to require a train to explore it, though it seemed to get smaler as I grew older, train included. Now it's so small it fits in my head.
As we are, so we associate. The good, by affinity, seek the good; the vile, by affinity, the vile. Thus of their own volition, souls proceed into Heaven, into Hell.
"A good director is one that lets you improv," that's ridiculous. There's some actors who should not be improving and there are some scripts that should not be touched. I think it's just a case by case basis.
I generally find an affinity with a lot of the people I play and I suppose if I didn't feel an affinity for them then they wouldn't be particularly good performances.
The biggest danger is that actors become entirely too dependent on the idea of training. They think that if they continue to train and train and train, it's going to make them better.
I have an affinity for good roles in good films. I like a variety of parts, and if some of the good stuff happens to be in fantasy and horror, I do them.
Stay open-minded; stay focused. Train hard and train smart. For me, the older I get, the smarter I have to train also, because the recovery time is longer. Work on everything: become a well-rounded fighter - don't just be good at one thing; be good at everything.
I think there's that weird bastardization where musical theatre actors are treated as almost like vaudevillians or circus performers - that we're somehow not good actors because we sing and dance.
Indian actors, because of the format of our stories, need to be good actors, and be able to perform emotional sequences, do a bit of comedy, dance and singing, action, because all of this forms just one film. In many ways I'd say there are greater demands on Indian actors than there are on Hollywood.
I've said before that the common perception that all good actors should be good liars is exactly the opposite; only bad actors lie when they act.
Actors are almost conditioned to get their director's approval. 'I just did my song and dance, boss. What did you think?' Actors are infantilized so much.
We should train kids in the music and dance of our legends. That's how we can keep the traditions alive.
Lots of celebrities have had some sort of dance training, especially actors or singers - they have to have some movement skill and be trained physically.
It was a lot to get used to, especially in warm-ups with the wind all over the place. As the meet went on it steadied out, so I was able to get some good looks to go back and train from.
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