A Quote by David Leitch
Part of the problem is that many directors treat female characters too often as precious. Or they want to live in a fantasy world where they just do spinning hook kicks and knock out guys who are six foot four, and that doesn't work either.
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I finished Edson Barboza in a d'arce choke. What else do you want? He's very hard to take down. Spinning heel kicks, spinning kicks. I took some of his most powerful shots and I just kept coming forward. I'm the Boogeyman out there.
I think part of the pressure put on 'strong female characters' comes from the fact that there is so often 'the team girl,' who must be all things to all people. Part of avoiding that is having as many female characters as I can, and allowing them to thrive in their own right, not inside a framework they didn't ask for and don't want.
I just want to do everything. As broad as that seems, it's kind of the plan. There are so many different genres out there to do, so many different characters to play, so many different amazing actors and directors to work with. I'm just following my gut, and if it's speaking to me, then I'm doing it.
Nobody can take too many big hits, not even comparing someone 5-foot-8 'cause some of the 6-foot-3 guys still get knocked out, too.
Of course, even if the directors like my ideas or the designs I do, they may end up changing the story so much, that those characters have to change, or get cut out altogether, and that's just the way it is. Sometimes the directors are designers themselves, or they want to work with a character designer who will do things in their own distinct way - sometimes the most important thing I do is figure out what they don't want to do, by experimenting. Either way, whether they use my ideas or not, I get paid, so it's all good.
I'm not saying I only want to work with female directors. But I want to continue to work with emerging female directors.
That was the best part of the Pride guys - they'd go out and entertain. They'd either get knocked out or knock somebody out; they were always trying to finish the fight.
Since I’ve known you, you’ve been spinning and spinning and spinning into all these various personas, and none of this self-exploration and experimentation has given you a sense of peace. I’ve known you for six years, intimately for four, and I still have no idea who I’m in love with.
I don't really consider myself a female director, and I don't want to do so for other women. Female directors are just directors.
When I was in college, my graduation thesis was called 'Female Directors.' I interviewed all of the important female directors from Mexico. There were four. That was it.
My whole theory about why I couldn’t find any creators who realized they were leaving out female characters is because they were raised on the same ratio. I just heard someone the other day call it either ‘smurfing’ a movie, which is when there’s one female character, or ‘minioning’ a movie, which is when there’s no female characters.
I used to be six foot four. Now that I'm old, I slouch. So, I'm six foot three.
In fantasy and science fiction, world-building is an essential part of the story. But as a reader, I don't just want descriptions of food, clothing, and places. I want to understand the world to its core, through the eyes of those who live in it.
Not too many people work in a job where, waiting out there are three or four hundred people who are paid to tear apart what you've done. And often they are brighter than you are, or they know more about the subject than you do, or they wish they had written a book themselves, or done a lot better. Or they just don't like it! And you have to live with it.
I don't have any problem working with first-time directors because all directors have to start somewhere and all great directors have had a first film. So, if you take the view that you don't want to work with a first-timer, you might miss out on a fantastic opportunity.
I'm just hoping that as I get older, and as more and more movies get made by female directors, what we start to see is how, in the same way good male directors get a shot at creating interesting male and female characters, women do as well.
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