A Quote by David Leitch
You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed.
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I've directed bits of action and so I know that it's long and it's very detailed. Editing action is a good deal more exciting than shooting action. Shooting action is very, very meticulous, it's increments, tiny little pieces.
As for my speed, I'm not the fastest, but just like in other sports, you learn to stay away from your weaknesses and make more use of your strengths: my shooting ability, court awareness, rebounding, and helping out defensively.
If you look at coastlines, if you look at that them from far away, from an airplane, well, you don't see details, you see a certain complication. When you come closer, the complication becomes more local, but again continues. And come closer and closer and closer, the coastline becomes longer and longer and longer because it has more detail entering in.
Shooting at a man who is returning the compliment means going into action with the greatest speed of which a man's muscles are capable, but mentally unflustered by an urge to hurry or the need for complicated nervous and muscular actions which trick shooting involves.
I personally think a fight scene is the most cinematic thing you can witness because all the elements of filmmaking come together, you know, with the camera speed changes, editing, make up effects and general smoke and mirrors of trying to make it look like you are hitting someone when you're not. It's filmmaking in it's purest form, I think.
While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way.
The more I come to understand music, the more I feel like a numbskull because there is always more to learn. The more I do it, the more I'm humbled. I'm just always trying to get better at it. I pick up a few tricks along the way.
I'm a natural behind the camera... My attentions are more toward behind the scenes, more toward creating, producing, and directing what's going on here... When I finally do pop in front of the lens, I'm genuinely glad and relieved to be there.
For me, juggling mommyhood and work is a challenge, but each day I learn little tricks to make it all come together.
We have come to see that just as the child must learn to love wisely, so he must learn to hate expeditiously, to turn destructive tendencies away from himself toward enemies that actually threaten him rather than toward the friendly and the defenseless, the more usual victims of destructive energy.
My natural inclination is to think in scenes. So that's how I write, and the issue for me is usually: what to compress for speed.
It's a very interesting fight [Klitchko vs Tyson Fury] because this is the first time [Wladimir] Klitschko is fighting someone as big as him and with longer arms. He will have to be a little bit more aggressive, otherwise the younger guy will have more speed and more energy and I think that may be the difference.
Any action is often better than no action, especially if you have been stuck in an unhappy situation for a long time. If it is a mistake, at least you learn something, in which case it's no longer a mistake. If you remain stuck, you learn nothing.
For this very reason I refuse all the tricks of the trade and professional virtuosity which could make me betray my career. As soon as I find a subject which interests me, I leave it to the lens to record it truthfully. Look at the reporters and at the amateur photographer! They both have only one goal; to record a memory or a document. And that is pure photography.
I try to stay away from stuff that's just action, action, action, action, action, and you kind of fast-forward through the dialogue scenes. I'm not interested in doing that. Give me a reason to fight, and I'll go there. But don't just make it, 'You touched my pen! Haaa-yah!' I've done that before.
You and I can profit by asking ourselves: What do I see when I look through the lens of my attitude toward myself? Am I more a critic than a friend? Do I look beyond the surface blemishes to find the truly beautiful and unique person that I am? Or do I play the destructive "comparison game"? What verdict does the juror of my mind pass on me: "good at heart" or "guilty on all counts"?
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