A Quote by David Leitch

The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer. — © David Leitch
The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer.
The way in which the photograph records experience is also different from the way of language. Language makes sense only when it is presented as a sequence of propositions. Meaning is distorted when a word or sentence is, as we say, taken out of context; when a reader or listener is deprived of what was said before, and after. But there is no such thing as a photograph taken out of context, for a photograph does not require one. In fact, the point of photography is to isolate images from context, so as to make them visible in a different way.
I used to live in New York, and I know a number of people who have friends who work at galleries. I spent time hanging out with them, going to openings. It was a good way to do research, to hang out and to look at the art that was present.
I assume we will have figured out a way to efficiently utilize solar energy and tied that to an efficient way to use nuclear energy in such a way that it doesn't pose a serious environmental issue.
I can take an opinion, but I don't like when you try and spew hate and contaminate the way other people think. I feel like I'm one of the people that's always made music for the common man. That's why I don't really live my life the way I could. I don't stunt as much as I could stunt, 'cause that's not who my music is for.
I grew up as a cameraman, so it's much easier for me to shoot it myself. I work with an operator and a crew, but it's way easier for me to function as a cinematographer, than to have a cinematographer between me and the lens. I don't need that.
The best way-the only way-to be truly healing is to be fully present and to stay out of the way.
No one can really explain in a rational way what makes a good photograph or a bad photograph... This is why the art world will not throw billions of dollars at photography the way it has at painting; and that is what makes it an exciting medium.
It never occurred to me that being a stunt girl would get me recognized in any way, because the whole purpose of a stunt person is to not be known.
I do tend to look at my books in many ways as conceptual fiction, even to the point where I think the author's photograph is part of the package. And I have gone out of my way to select the photograph to connect to the subject matter of each book.
My way of photographing is my way of life. I photograph from my experience, my way of seeing things.
My work has been about making a record of my life that no one can revise. I photograph myself in times of trouble or change in order to find the ground to stand on in the change. I was coming out of a melancholic phase. This was taken when I was traveling extensively, on the road from hotel to hotel. You get displaced, and then taking self-portraits becomes a way of hanging on to yourself.
Because of the way I am built I photograph taller than I actually am; it's an optical illusion. The way you're naturally built is not something you can fake - you either photograph taller or you don't.
He wanted to live life in such a way that if a photograph were taken at random, it would be a cool photograph.
If they [at the audition] don't like the way you sound they won't buy you anyway, ripped dress or no ripped dress, ass hanging out or no ass hanging out.
I don't think any other city in the world... the sun doesn't shine the same way anywhere as it does in New York. And then I guess everyone's very good at hanging out. Not in a crazy way, but you're just constantly interacting and learning.
The future could go this way, that way. The future's futures have never looked so rocky. Don't put money on it. Take my advice and stick to the present. It's the real stuff, the only stuff, it's all there is, the present, the panting present.
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