A Quote by David Letterman

I had no idea this thing was televised. Boy, is my face red. — © David Letterman
I had no idea this thing was televised. Boy, is my face red.
I had heard the old Indian legend about the red fern. How a little Indian boy and girl were lost in a blizzard and had frozen to death. In the spring, when they were found, a beautiful red fern had grown up between their two bodies. The story went on to say that only an angel could plant the seeds of a red fern, and that they never died; where one grew, that spot was sacred.
You make a movie, and if there's a red light flashing in the distance, everyone thinks that the director had a whole lot of money and a great idea that the red light means something. Then you say, 'Yeah, we couldn't afford to shut the red light off that was broken two blocks away.'
Most fans don't realize 75 percent of the matches we have are non-televised. I prefer a non-televised show because it is more ring-focused and fan interactive.
It's actually a character choice for a movie I've been filming in South Korea called Okja. My director had this idea of having my hair be a very vibrant red/pink/watermelon color. We haven't finished filming so I'm kind of riding the wave of the red hair right now in terms of everything else that I have to do with The Last Tycoon press and you know, regular life. I'm really loving it. It's turning into a thing for me.
If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?
I did want a boy child because I had this romantic idea that a boy child when he's 16 takes his mother out for dinner.
I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a need to paint in red. To be able to interact with the medium, this is the key. There are no sure ways to do art.
I always had this idea that, 'Sure, I wished I was a boy and felt more like a boy and all of that.' But I wasn't, so I would deal with it. And I for some reason thought there were other lesbians that felt that way and that was just part of that community.
Lots of men have failed as presidents, as Trump surely will, but few fail so dismally as role models. He's a boy's idea of a man. He's a man's idea of a boy.
I have never had a pair of knickers sent in the post. I've had jams, lemon drizzle cakes, West Ham football shirts and footballs and books. I've had pillowcases with my face on, tea towels with my face on, face flannels with my face on, towels with my face on.
Bird boy kept us out there in the freezing rain while he yammered about the Red One this and Red One that. Darius got Zoey in here despite his help".
When communism failed, it wasn't a good idea that had gone wrong, it was a bad idea that had been sustained with incredible determination in the face of all the commonsense arguments, and at the cost of 20 million lives at least, in Russia, to build the socialist Utopia.
Who will cry for the little boy, lost and all alone? Who will cry for the little boy, abandoned without his own? Who will cry for the little boy? He cried himself to sleep. Who will cry for the little boy? He never had for keeps. Who will cry for the little boy? He walked the burning sand. Who will cry for the little boy? The boy inside the man. Who will cry for the little boy? Who knows well hurt and pain. Who will cry for the little boy? He died and died again. Who will cry for the little boy? A good boy he tried to be. Who will cry for the little boy, who cries inside of me?
Comrade Blade Nzimande is complaining that EFF stole the ‘red colour’, he does not have a copyright on the ‘red colour’. There’s nothing we can steal from him because he has nothing but that skuurpot (pot scourer) face of his. Why didn’t he complain when Vodacom was red?
'L.A. Law' has been a bit of a blessing and a curse. First of all, it was a very prestigious show that had a lot of intellect, and I was the pretty boy. I've had to battle that my whole career: 'Oh, you were the face guy. You didn't really have to act; you just had to wear the right suits.' I had to battle that.
It's all the same. It's the same face. We always look for an idea, for the same face, for the same position. There is no such thing as a European or an African photography. It's all the same thing.
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