I love the life of objects. When the children go to bed, the objects come to life. I like to tell stories about the life of inanimate objects.
Because of the accumulation of objects, things are never quite the way I want them to be. There has always been a lack of, well, clarity.
Why should we all use our creative power....? Because there is nothing that makes people so generous, joyful, lively, bold and compassionate, so indifferent to fighting and the accumulation of objects and money.
I want to create objects that will stimulate the viewer in ways that I am stimulated by these objects. Now that's an ideal situation and the artist has no control over what his audience is going to think, but they can try to communicate some quality, some poetry through the work and just hope that the viewer has something in the vicinity of a similar experience.
I believe that photography loves banal objects, and I love the life of objects.
When you talk about objects, one other thing automatically comes attached to that thing, and that is gestures: how we manipulate these objects, how we use these objects in everyday life. We use gestures not only to interact with these objects, but we also use them to interact with each other.
I just think it's patently absurd for scientists to categorize objects on the basis of the numbers of objects that they can remember.
The way that light hits objects in life, three-dimensional objects before you photograph them, is really the story of photography.
[There are] unseen objects that await us, if we as architects begin to think about designing not the object, but a process to generate objects.
I like old people when they have aged well. And old houses with an accumulation of sweet honest living in them are good. And the timelessness that only the passing of Time itself can give to objects both inside and outside the spirit is a continuing reassurance.
I am intrigued by inanimate objects. They're a piece of history, someone's statement and ideas of life.
For people who are displaced, you can reconstruct the story of your life from the objects you have access to, but if you don't have the objects then there are holes in your life. This is why people in Bosnia - if anyone was running back into a burning house it was to salvage photos.
For people who are displaced, you can reconstruct the story of your life from the objects you have access to, but if you don't have the objects then there are holes in your life. This is why people in Bosnia - if anyone was running back into a burning house, it was to salvage photos.
Accumulation of wealth at one pole is at the same time accumulation of misery, agony of toil, slavery, ignorance, brutality, mental degradation, at the opposite pole
Object-oriented programming aficionados think that everything is an object.... this [isn't] so. There are things that are objects. Things that have state and change their state are objects. And then there are things that are not objects. A binary search is not an object. It is an algorithm
I am opposed to the accumulation of executive power anywhere.